The Project Gutenberg eBook of Southerly Busters

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Southerly Busters

Author: George Herbert Gibson

Illustrator: Alfred Clint

Montagu Scott

Release date: April 14, 2014 [eBook #45391]
Most recently updated: October 24, 2024

Language: English

Credits: Produced by David Widger from page images generously
provided by the Internet Archive

*** START OF THE PROJECT GUTENBERG EBOOK SOUTHERLY BUSTERS ***

SOUTHERLY BUSTERS,

By G. H. Gibson (AKA Ironbark)

Illustrated By Alfred Clint

With Additional Illustrations by Montagu Scott.

Many of these Scraps were originally contributed by the Author to "The Town and Country Journal," "Sydney Punch," "The Illustrated Sydney News," and other Australian newspapers and magazines.

John Sands, Printer

1878

Original

Original

CONTENTS

NOTES.

AUTHOR'S PREFACE.

LINES BY A (PAWN)BROKEN-HEARTED YOUTH.

THE ANCIENT SHEPHERD

WHERE IS FREEDOM?

THE CATTLE MUSTER.

WHAT AN ECHO TOLD THE AUTHOR.

THE SHEPHERD'S VENGEANCE.

SOCIAL EVILS.

MORAL PHILOSOPHY FOR LITTLE FOLKS.

AN AMBITIOUS DREAM.

SUPERNATURAL REVELATIONS OF A FANCY-GOODS MAN,

CHRISTMAS.

"THE CATARACT." *

THE STOCKMAN'S GRAVE.

EPITAPH ON A CONVIVIAL SHEARER.

A CANDIDATE FOR AN EARLY GRAVE.

A PEELER'S APPEAL

THE OLD HAND.

THE BUTCHER'S PIC-NIC.

THE OYSTERMEN'S AND FISHMONGERS' PIC-NIC.

THE WHEELWRIGHTS' PIC-NIC.

THE UNDERTAKER'S PIC-NIC.

THE HAIRDRESSERS' PIC-NIC.

THE GREAT CRICKET MATCH.

NOTES.

a. "Billy," a tin pot for making tea in.

b. Young gentlemen getting their "colonial experience" in the bush are called "jackeroos" by the station-hands. The term is seldom heard except in the remote "back-blocks" of the interior.

c. It was formerly the practice of squatters to give a ration of flour, mutton, and, occasionally, tea and sugar, to all persons travelling ostensibly in search of work. The custom, however, as might have been expected, became frightfully abused by loafers, and has of late fallen into disuse, to the intense disgust of the tramping fraternity in general.

d. The Yanko is a noted sheep-station in the Murrumbidge district (the Paradise of loafers), where travellers were, and, I believe, still are, feasted at the expense of the owners, on a scale of great magnificence, and somewhat mistaken liberality.

e. The utterly refined and unsophisticated reader is informed that to "whip the cat" signifies, in nautical parlance, to weep or lament.

AUTHOR'S PREFACE.

I AM assured that something in the way of an apologetic preface is always expected from a "new-chum" author who has had the hardihood to jump his Pegasus over the paddock fence (so to speak), and drop, uninvited, into the field of letters; and so, having induced a publisher, in a moment of weakness, to bring me before the public, it behoves me to conciliate that long-suffering body by conforming to all established rules. I am aware that my excuse for inflicting this work on mankind is somewhat "thin" but, such as it is, I will proceed to state it, as a "plea in bar" against all active and offensive expressions of indignation on the part of outraged humanity.

Having "got me some ideas," as Mr Emmett says in the character of "Fritz," and feeling the necessity for inflicting them on somebody imminent, I tried their effect on my own immediate circle of friends. It was not satisfactory. They listened, indeed, for a while, thinking that I was suffering from a slight mental derangement which would be best treated by judicious humouring. Some even affected to be entertained, and laughed (what a hollow mockery of merriment it was! ) at atrocious puns; but I could see the look of hate steal over countenances which had hitherto beamed on me with interest and affection, and was not deceived.

I saw that friendship would not long survive such a test and desisted; but it was too late. They perceived I had what Artemus Ward calls the "poetry disease;" feared that it might be infectious; knew that it was an insufferable bore to the afflicted party's circle of acquaintances; and—forgot to visit me.

When their familiar knocks no longer resounded on the door of my lodging in ———— street, and their familiar footsteps ceased to crush the cockroaches on the dark and winding staircase leading to my apartment, I bethought me of that institution which I had always heard alluded to as the "kind and generous public." Here, I thought (for I was unsophisticated), is the very friend I am in need of, which will receive me with its thousand arms, laugh with me with its thousand mouths, weep with me with its thousand eyes, and whose thousand hearts will beat in unison with mine whether my mood be one of sadness or of joy; behave itself, in fact, like a species of benevolent and sympathetic Hydra, shorn of its terrors, and fit to take part in the innocent and arcadian recreations of the millenium, when the (literary) lion shall lie down with the critic, and newspapers shall not lie any more—even for money.

During my hunt for that all essential auxiliary, a publisher, without whom the first step on the road to literary distinction (or extinction) cannot be taken, I learnt a few plain truths about my hydra-headed friend; amongst others that he was not to be hoodwinked, and would neither laugh, weep, nor sympathise unless he saw good and sufficient cause. I am in consequence not quite so sanguine as I was. However, I have gone too far to recede, and have concluded to throw myself on the bosom or bosoms of that animal and take my chances of annihilation.

One of my unsympathising friends assured me the other day that my book would certainly send anyone to sleep who should attempt its perusal. I gave him a ballad to read, and watched him anxiously while he skimmed a page or two. He did not sleep—not he, but a raging thirst overcame him at the fourteenth verse, and he begged me to send for a jug of "half-and-half" with such earnestness that a new and dreadful apprehension filled my breast. If this was to be the effect of my work on the Public at large, I should empty the Temperance Hall, and fill the Inebriate Asylum in six months! As I had hitherto prided myself that my work was entirely free from any immoral tendency, I earnestly hoped that his organization was a peculiar one, and that its effect on him was exceptional, and not; likely to happen again.

Sleep, indeed! Would that these pages might be found to possess the subtle power of inducing "tired Nature's sweet restorer" to visit the weary eyelids of knocked-up humanity; that they might become a domestic necessity, like Winslows "soothing-syrup," and "a blessing to mothers;" that the critic—pausing midway in a burst of scathing invective against their literary and metrical deficiencies—overcome by their drowsy influence—might sink in dreamless slumber, and wake to sing in praise of their narcotic properties, and chaunt their merits as a soporific.

In conclusion, I would fain ask thee, gentlest of gentle readers, to look with leniency on the many defects and shortcomings of this volume, and to remember that the writer was long, if not an outcast, a homeless wanderer among the saltbush plains and and sandhills of Australia, and the kauri and pouriri forests of New Zealand; that, for seven years, the prototypes of "Ancient Bill," hereinafter mentioned, were his associates; and that, if these experiences have enabled him to touch with some degree of accuracy on matters relating to the Bush, they have at the same time militated against the cultivation of those refinements of style and language which commend the modern author to his reader, and which are Only to be acquired in the civilized atmosphere of a city.

N.B.—I desire here to thank my friend, Mr. Henry Wise, of Sydney, to whom I am indebted for the design which adorns the cover of the book.

I beheld a shadow dodging, on the pavement 'neath my

lodging,

'Neath my unpretending lodging—opposite the very door:

"'Tis that prodigal," I muttered, "who enjoys the second

floor—

He it is, and nothing more."

Answering my thoughts, I stated, "'Tis the artist that's located

Here, returning home belated, seeking entrance at the door—

Coming back from where he's revelled, and, like me, with locks

dishevelled,

Wits besotted and bedevilled, oft I've seen him so before;

'Tis no rare unknown occurrence, but a customed thing of

yore—

Jones it is, and nothing more."

Certain then 'twas no illusion, "Sir," I said, in some

confusion,

"Pardon my abrupt intrusion—Mr. Jones, we've met before;

Potent drinks have o'er me bubbled, and the fact is I was

troubled,

For your form seemed strangely doubled, and my brain is sick

and sore—

Let us seek my room and cupboard, and its mystery explore—

There is gin, if nothing more."

Deep into the darkness glaring, I beheld a radiance flaring,

And a pair of eyes were staring—eyes I'd never seen before—

And, my fear and dread enhancing, towards me came a form

advancing,

And the rays of light were dancing from a lantern which it

bore—

'Twas a regulation bull's-eye—"'Tis a (something) Trap," I

swore —

"'Tis a Trap, and nothing more."

Glittering with the P. C. button, redolent of recent mutton,

(Fitting raiment for a glutton) was the garment which he

wore;

And his vast colossal figure, in the pride of manly vigour,

Looming larger, looming bigger, came betwixt me and the

door—

Cutting off my hopes of entrance to my home at number four—

Stood, and stared, and nothing more.

And his features, grimly smiling, calm, unmoved, (intensely

riling)

I betake me to reviling, and a stream of chaff outpour—

"Say, thou grim and stately brother, has thy fond and doting

mother

Got at home like thee another? Art thou really one of four?

Did she, did she sell the mangle? Tell me truly, I implore!"

Quoth the Peeler, "Hold your jawr!"

Long I stood there fiercely glaring, most profanely cursing,

swearing— .

And my right arm I was baring, meaning thus the Trap to

floor—

Original

Straight he grabbed me by the collar, said 'twas worse than

vain to holler,

That his person I must foller to the gloomy prison door;

"'Tell me, Robert," said I sadly, "must I go the Bench

before?"

Quoth the Peeler, "'Tis the lawr!"

"Shall I be with felons banded, by the 'beak' be reprimanded,

And with infamy be branded?—thou art versed in prison

lore—

Say not, Robert, that my bread will 'ere be earned upon the

tread-mill,

That a filthy prison bed will echo to my fevered snore—

Ever echo to the music of my wild unearthly snore!"

Quoth the Peeler, "'Tis the lawr!"

Thought on thought of bitter sadness, dissipating hope and

gladness,

Goading me to worse than madness, crowded on me by the

score;

Ne'er before incarcerated, how that Peeler's form I hated,

Cries for freedom, unabated—'wrenched from out my bosom's

core'—

Broke upon the midnight stillness, "Robert, set me free

once more!"

Quoth the Peeler, "Never more!"

Never since the days of Julian was there such a mass

herculean

Clad in garments so cerulean, with so little brains in store;

And I cursed his name, and number, and his form as useless

lumber

Only fit to snore and slumber on a greasy kitchen floor—

On the slime bespattered boarding of a greasy kitchen floor—

Fit for this and nothing more!

And my heart was heavy loaded with a sorrow which

corroded,

And my expletives exploded with a deep and muffled roar;

But a sudden inspiration checked the clammy perspiration

That 'till now, without cessation, streaming ran from every pore,

And what checked the perspiration that ran streaming from

each pore

Was a thought, and nothing more.

In my pocket was a shilling! Could that giant form be

willing,

Tempted by the hope of swilling beer, to set me free once

more?

Tempted by the lust of riches, and the silver shilling

which is

In the pocket in my breeches, and my liberty restore?

Hastily that garment searching, from its depths I fiercely tore

But a 'Bob,' and nothing more.

Wrenched it from my trousers' pocket,

While his eye within the socket gleamed and sparkled like a

rocket,

Grimly rolled, and gloated o'er,

Glared upon me—vainly mining in my pockets' depths—

repining

That its worn and threadbare lining

IT should press, ah! never more.

Original

Said I, while the coin revealing, "Robert, I've a tender

feeling

For the Force there's no concealing, and thy manly form

adore;

Thee I ne'er to hurt or slay meant; take, oh! take this

humble payment—

Take thy grasp from off my raiment, and thy person from

my door;

Though I like thee past expression, though I venerate the

corps,

Fain I'd bid thee 'Au revoir!'

And I view with approbation that official's hesitation,

For his carnal inclination with his duty was at war;

But that Peeler, though he muttered, knew which side his

bread was buttered,

But a word or two he uttered, and his choking grasp fore-

bore—

And he, when his clutching fingers from their choking grasp

forebore,

Vanished, and was seen no more.

Oft at night when I'm returning, and the foot-path scarce

discerning—

Whiskey-fumes within me burning like a molten reservoir—

In imagination kneeling, oft in fancy I'm appealing

To the kind and manly feeling of that giant Trap once more—

To the tender kindly feeling of the Trap I saw before—

Vanished now for ever more!

LINES BY A (PAWN)BROKEN-HEARTED YOUTH.

Original

Oh! take back the ticket thou gavest,

And give me my watch and my ring,

And may every sixpence thou savest

Be armed with a centipede's sting!

O ! uncle, I never expected

Such grief would result from my calls,

When, hard-up, depressed, and dejected,

I came to the Three Golden Balls.

I noticed thy free invitation—

Enticing (though brief)—"Money Lent

I came to thee, oh, my relation,

For succour, for mine was all spent.

Thine int'rest in me was affecting—

I noticed a tear in thine eye,

Without for a moment suspecting

How int'rest would tell by and bye.

It's true I'd been doing the heavy,

And going a trifle too fast;

I've been a most dutiful 'nevvy,'—

But, uncle, I know thee at last;

I brought thee a gun, and a pistol,

And borrowed a couple of pound,

Then exit, and cheerfully whistle

In time to my heart's happy bound.

I thought thee a regular "trimmer,"

I thought thee a generous man;

I drank to thy health in a brimmer,

And pretty nigh emptied the can.

I went with a mob "to do evil,"

I laughed, and I danced, and I sang;

Bid sorrow fly off to the Devil,

And care and depression go hang.

I looked on the vintage that's ruby,

I "looked on the wine" that "is red,"

But 'twasn't mere looking o'erthrew me,

Or made it get into my head.

In spite of the Israelite's warning,

In spite of what Solomon said,

You may look from the dusk to the dawning,

And still toddle sober to bed.

Away with such hollow pretences!

It wasn't from watching the cup

I lost the control of my senses,

Or, falling, I couldn't get up.

Destruction again was before me,

And empty once more was my purse,

But thoughts of mine uncle came o'er me,

And withered my half-uttered curse.

I thought that the mines of Australia

I'd found in the meanest of men,

And, smoking a fearful "regalia,"

I sought thine iniquitous den.

My walk, though a little unsteady,

Was dignity tempered with grace;

I playfully asked for the "ready,"

And smiled in thy villainous face.

I brought thee my best Sunday beaver,

And gorgeous habiliments new;

My watch—such a fine English lever!—

I left, unbeliever, with you.

I brought thee a coat—such a vestment!

'Twas newly constructed by Poole;

I've found it a losing investment—

Oh! how could I be such a fool?

I told thee I hadn't a "stiver;"

I said I'd been "cutting it fat,"

And coolly demanded a "fiver,"—

How thou must have chuckled at that!

Thou wee can'st remember the morning

Succeeding thy Sabbath, thou Jew!

When cursing the year I was born in,

I felt the first turn of the screw.

And, hope from my bosom departing,

Like dew from the rays of the sun,

My wits the sad news were imparting

How I'd been deluded and done.

And, borne on the telegraph wire,

A message came swiftly to me;

It said that my grey-headed sire

Was pining his offspring to see.

How face my infuriate father—

My property mortgaged and gone?

For darkly his anger will gather;

I've hardly a rag to put on.

Thine int'rest I cannot repay thee,

And gone are my coat and my hat;

Thou hast all my duds—I could slay thee!

Oh! how could I be such a flat?

I brought thee each gift of my mother,

Each gift of my generous aunt;

The pistol belonged to my brother—

I'd like to restore it, but can't:

For, uncle, thy fingers are sticky,

And, if the sad truth be confessed,

Thy heart is as false as the "dicky,"

Which covers my sorrowful breast.

I've managed the needful to borrow,

My watch and my ring to redeem;

I hope that the sight of my sorrow

May cause thee a horrible dream.

Original

'Twere joy should I hear that the pistol

Had burst in thy villainous hand—

While smoking the "bird's eye" of Bristol,

My breast would dilate and expand.

I leave thee, for vain is resistance,

And little thou heedest my slang,

But I'd barter ten years of existence

For power to cause thee a pang.

O! had I the wand of a wizard,

A Nemesis cruel I'd bribe

To torture that Israelite's gizzard,

And caution the rest of his tribe.

O! ye who are fond of excitement,

Ye students of Med'cine and Law,

Be warned by this awful indictment,

And never give Moses your paw!

From Moses who spoiled the Egyptian,

To Moses who buys your old clo',

They're all of the self-same description—

They take, but they never let go.

Ye sons of the Man on the Barrel

(That's Bacchus)—ye "Monks of the Screw!"

Don't mortgage your wearing apparel,

Or have any truck with a Jew;

But take to cold water and virtue,

And never, whatever befalls,

Let any false logic convert you

To visit the "Three Golden Balls."

THE ANCIENT SHEPHERD

Original

The shadows of the River Gums

Were stretching long and black,

As, far from Sydney's busy hum,

I trod the narrow track.

I watched the coming twilight spread,

And thought on many a plan;

I saw an object on ahead—

It seemed to be a man.

A venerable party sat

Upon a fallen log;

Upon him was a battered hat,

And near him was a dog.

The look that o'er his features hung

Was anything but sweet;

His swag and "billy"a lay among

The grass beneath his feet.

And white and withered was his hair,

And white and wan his face;

I'd rather not have ipet the pair

In such a lonely place.

I thought misfortune's heavy hand

Had done what it could do;

Despair seemed branded on the man,

And on the dingo too.

A hungry look that dingo wore—

He must have wanted prog—

I think I never saw before

So lean and lank a dog.

I said—"Old man, I fear that you

Are down upon your luck;

You very much resemble, too,

A pig that has been stuck."

His answer wasn't quite distinct—

(I'm sure it wasn't true):

He said I was (at least, I think,)

"A"—something—"jackeroo!"

He said he didn't want my chaff,

And (with an angry stamp)

Declared I made too free by half

"A-rushing of his camp."

I begged him to be calm, and not

Apologise to me;

He told me I might "go to pot"

(Wherever that may be);

And growled a muttered curse or two

Expressive of his views

Of men and things, and squatters too,

New chums and jackeroos.

But economical he was

With his melodious voice;

I think the reason was because

His epithets were choice.

I said—"Old man, I fain would know

The cause of thy distress;

What sorrows cloud thine aged brow

I cannot even guess.

"There's anguish on thy wrinkled face,

And passion in thine eye,

Expressing anything but grace,

But why, old man, oh! why?

"A sympathising friend you'll find

In me, old man, d'ye see?

So if you've aught upon your mind

Just pour it into me."

He gravely shook his grizzled head

I rather touched him there—

And something indistinct he said

(I think he meant to swear).

He made a gesture with his hand,

He saw I meant him well;

He said he was a shepherd, and

"A takin' of a spell."

He said he was an ill-used bird,

And squatters they might be ———

(He used a very naughty word

Commencing with a D.)

I'd read of shepherds in the lore

Of Thessaly and Greece,

And had a china one at home

Upon the mantelpiece.

I'd read about their loves and hates,

As hot as Yankee stoves,

And how they broke each other's pates

In fair Arcadian groves;

But nothing in my ancient friend

Was like Arcadian types:

No fleecy flocks had he to tend,

No crook or shepherds' pipes.

No shepherdess was near at hand,

And, if there were, I guessed

She'd never suffer that old man

To take her to his breast!

No raven locks had he to fall,

And didn't seem to me

To be the sort of thing at all

A shepherd ought to be.

I thought of all the history.

I'd studied when a boy—

Of Paris and Ænone, and

The siege of ancient Troy.

I thought, could Helen contemplate

This party on the log,

She would the race of shepherds' hate

Like Brahmins hate a dog.

It seemed a very certain thing

That, since the world began,

No shepherd ever was like him,

From Paris down to Pan.

I said—"Old man, you've settled now

Another dream of youth;

I always understood, I vow,

Mythology was truth

"Until I saw thy bandy legs

And sorrow-laden brow,

But, sure as ever eggs is eggs,

I cannot think so now.

"For, an a shepherd thou should'st be,

Then very sure am I

The man who wrote mythology

Was guilty of a lie.

"But never mind, old man," I said,

"To sorrow we are born,

So tell us why thine aged head

Is bended and forlorn?"

With face as hard as Silas Wegg's

He said, "Young man, here goes."

He lit his pipe, and crossed his legs,

And told me all his woes.

He said he'd just been "lammin'-down"

A flock of maiden-ewes,

And then he'd had a trip to town

To gather up the news;

But while in Bathurst's busy streets

He got upon the spree,

And publicans was awful cheats

For soon "lamm'd down" was he.

He said he'd "busted up his cheque"

(What's that, I'd like to know?)

And now his happiness was wrecked,

To work he'd got to go.

He'd known the time, not long ago,

When half the year he'd spend

In idleness, and comfort too,

A-camping in a "bend."

No need to tread the weary track,

Or work his strength away;

He lay extended on his back

Each happy summer day.

When sun-set comes and day-light flags,

And dusky looms the scrub,

He'd bundle up his ration-bags

And toddle for his grub,

And to some station-store he'd go

And get the traveller's dower—

"A pint o' dust"—that was his low

Expression meaning flour;

But now he couldn't cadge about,

For squatters wasn't game

To give their tea and sugar out

To every tramp that came.

The country's strength, he thought, was gone,

Or going very fast,

And feeding tramps now ranked among

The glories of the past.

He'd seen the "Yanko" in its pride,

When every night a host

Of hungry tramps at supper tried

For who could eat the most.

A squatter then had feelin's strong

And tender in his breast,

And if a trav'ller came along

He'd ask him in to rest.

"But squatters now!"——he stamped the soil,

And muttered in his beard,

He wished they'd got a whopping boil

For every sheep they sheared!

His language got so very bad—

It couldn't well be worse,

For every second word he had

Now seemed to be a curse.

And shaking was his withered hand

With passion, not with age—

I never thought so old a man

Could get in such a rage.

His eyes seemed starting from his head,

They glared in such a way;

And half the wicked words he said

I shouldn't like to say;

But from his language I inferred

There wasn't one in three,

Of squatters worth that little word

Commencing with a "D."

Alas! for my poetic lore,

I fear it was astray,

It never said that shepherds swore,

Or talked in such a way.

The knotted cordage of his brow

Was tightened in a frown—

He seemed the sort of party, now,

To burn a wool-shed down.

He told me, further, and his voice

Grew very plaintive here,

That now he'd got to make the choice

And work, or give up beer!

From heavy toil he'd always found

'Twas healthiest to keep,

And mostly stuck to cadgin' round,

And lookin' after sheep.

But shepherdin' was nearly "cooked"—

I think he meant to say

That shepherds' prospects didn't look

In quite a hopeful way.

A new career he must begin,

(And fresh it roused his ire)

For squatters they was fencin' in

With that infernal wire;

And sheep was paddocked everywhere—

'Twas like them squatters' cheek!—

And shepherds now, for all they'd care,

Might go to Cooper's Creek.

He said he couldn't use an axe,

And wouldn't if he could;

He'd see 'em blistered on their backs

'Fore he'd go choppin' wood;

That nappin' stones, or shovellin',

Warn't good enough for he,

And work it was a cussed thing

As didn't ought to be.

He'd known the Lachlan, man and boy,

For close on forty year,

But now they'd pisoned every joy,

He thought it time to clear.

They gave him sorrow's bitter cup,

And filled his heart with woe,

And now at last his back was up,

He felt he ought to go.

He'd heard of regions far away

Across the barren plains,

Where shepherds might be blythe and gay

And bust the squatters' chains.

To reach that land he meant to try,

He didn't care a cuss,

If 'twasn't any better, why,

It couldn't be much wuss.

Amongst the blacks, though old and grey,

Existence he'd begin,

And give his ancient hand away

In marriage to a "gin."

Original

He really was so old and grim,

The thought was in my mind,

That any gin to marry him

Would have to be stone blind.

'Twould make an undertaker smile:

What tickled me was this,

The thought of such an ancient file

Indulging in a kiss!

And, if it's true, as Shakespeare said,

That equal justice whirls,

He ought to think of Nick instead

Of thinking of the girls.

Then drooped his grim and aged head,

And closed that glaring eye,

And not another word he said

.Except a grunt or sigh.

More lean he looks and still more lank

Such changes o'er him pass,

And down his ancient body sank

In slumber on the grass.

I thought, old chap, you're wearing out,

And not the sort of coon

To lead a blushing bride about,

Or spend a honeymoon;

Or if, indeed, there were a bride

For such a withered stick,

With such a tough and wrinkled hide,

That bride should be old Nick.

As streaks of faintish light began

To mark the coming day,

I left that grim and aged man

And slowly stole away.

And when the winter nights are rough,

And shrieking is the wind,

Or when I've eaten too much duff

And dreams afflict my mind,

I see that lean and withered hand,

And, 'mid the gloom of night,

I see the face of that old man,

And horrid is the sight:

Original

While on my head in agony

Up rises every hair,

I see again his glaring eye—

In fancy hear him swear.

At breakfast time, when I come down

To take that pleasant meal,

With pallid face, and haggard frown,

Into my place I steal;

And when they say I'm far from bright,

The truth I dare not tell:

I say I've passed a sleepless night,

And don't feel very well.

Original

WHERE IS FREEDOM?

Oh! Mother, say, for I long to know,

Where doth the tree of Freedom grow,

And strike its roots in the heart of man

As deep and far as the famed banyan?

Is it 'mid those groups in the Southern Seas,

In the Coral Isles, or the far Fijis,

Where the restless billows seeth and toss

'Neath the gleaming light of the Southern Cross?

"Not there—not there, my child."

Then tell me, mother, can it be where

The cry of "Liberty" rends the air?

Where grow the maize and the maple tree,

In the fertile "bottoms" of Tennessee?

Or is it up where the north winds roar,

Away by the fair Canadian shore,

Where the Indians shriek with insane halloos—

As drunk as owls in their bark canoes?

"Not there—not there, my child."

Or is it back in the Western States,

Where Colt's revolver rules the fates,

And Judges lounge in a liquor shop

While Dean and Adams's pistols pop?

Where Justice is but a shrivelled ghost

As deaf and blind as a stockyard post,

And License sits upon Freedom's chair—

Oh, say, dear mother, can it be there?

"Not there—not there, my child."

Is it on the banks of the wild Paroo,

Where the emu stalks, and the kangaroo

Bounds o'er the sand-hills free and light,

And the dingo howls through the sultry night;

Where the native gathers the nardoo-seed

For his frugal meal; and the centipede—

While the worn-out traveller lies inert,

Invades the folds of his flannel shirt?

"Not there—not there, my child."

Is it where yon death-like stillness reigns

O'er the vast expanse of the salt-bush plains,

Where the shepherd leaveth his Leicester ewes

For the firm embrace of his noon-tide snooze,

And the most enchanting visions come

To his thirsty spirit of Queensland rum,

While the sun rays strike through his garments scant—

Is it there, dear mother, this wond'rous plant?

"Not there—not there, my child."

Or Southward, down where our brethren hold

Those keys of power, rich mines of gold—

That land of rumour and vague reports,

Alluvial diggings, and reefs of quartz—

Where brokers give you the straightest "tip,"

And let in in the way of "scrip;"

Where all men vapour, and vaunt, and boast,

And manhood suffrage rules the roast?

"Not there—not there, my child."

Is it where the blasts of the simoom fan,

The blazing valleys of Hindustan;

Where the Dervish howls, and their dupes are fleeced

By the swarth Parsee, and the Brahmin priest;

Where men believe in their toddy-bowls,

And the transmigration of human souls,

And the monkeys battle with countless fleas

On the twisted boughs of the tamarind trees?

"Not there—not there, my child."

Original

Or is it more to the northward, more

Toward the ice-bound rivers of Labrador,

Where the glittering curtain of gleaming snow

Enshrouds the home of the Esquimaux;

Or further still to the north, away

Where the bones of the Artic heroes lay

Long, long on the icy surface bare,

To bleach and dry in the frosty air?

"Not there—not there, my child."

Then is it, mother, among the trees

That shade the paths in the Tuilleries,

Where the students walk with the pale grisettes,

And scent the air with their cigarettes?

Or doth it bloom in that atmosphere

Of mild tobacco and lager beer,

Where gutteral curses mingle too

With the croupiers patter of "faites votre jeu?"

"Not there—not there, my child."

"Boy, 'tis a plant that loves to blow

Where the fading rays of the sunset go;

Up where the sun-light never sets,

And angels tootle their flageolets;

Up through the fleecy clouds, and far

Beyond the track of the farthest star,

Where the silvery echoes catch no tone

Of a simmering sinner's stifling groan:

'Tis there—'tis there, my child!"

Original

Original

Countless sheep and countless cattle

O'er his vast enclosures roam;

But you heard no children prattle

'Round that squatter's hearth and home.

Older grew that squatter, older,

Solitary and alone,

And they said his heart was colder

Than a granite pavin'-stone.

Other squatters livin handy,

Wot had daughters in their prime.

For that squatter "shouted" brandy

In the Township many a time;

And those gals kept introdoocin'

In their toilets every art

With the object of sedoocin'

That old sinner's stony heart.

Thus they often made exposures

Of their ankles, I'll be bound,

When they, in his vast enclosures,

Met that squatter ridin' round.

Their advances he rejected,

Scornin' both their hands and hearts,

'Till one day a cove selected

Forty acres in those parts.

And that stalwart free-selector

Had the handsomest of gals;

Conduct couldn't be correcter

Than his youngest daughter Sal's.

Prettily her head she tosses—

Loves a thing she don't regard;

Rides the most owdacious hosses

Wot was ever in a yard.

She was lithe and she was limber—

Farmers daughter every inch—

Not averse to sawin' timber

With her father at a pinch.

In remotest dells and dingles,

Where most gals would be afraid,

There she went a-splittin shingles,

Pretty tidy work she made.

Original

And that free selector's daughter,

Driving of her father's cart,

Made the very wildest slaughter

In that wealthy squatter's heart.

He proposed, and wasn't blighted,

Took her to his residence,

With his bride he was delighted

For she saved him much expense.

Older grew that aged squatter,

White and grizzly grew his pate,

'Till his weak rheumatic trotters

Couldn't bear their owner's weight.

Then he grew more helpless, 'till he

Couldn't wash and couldn't shave,

And one evening cold and chilly

He was carried to his grave.

Then that free selector's daughter

Came right slap "out of her shell;"

Calm and grave as folks had thought her,

She becomes a howling swell.

To the neighb'ring township drove she

In her chariot and pair,

Splendid dreams and visions wove she

While she braided up her hair.

She peruses Sydney papers,

Sees a paragraph which tells

Her benighted soul the capers

Cut down there by nobs and swells;

Then she couldn't stop contented

In a region such as this,

While the atmosphere she scented

Of the great metropolis.

Her intention she imparted

To the neighbours round about;

Packed her duds, farewell'd, and started,

And for Sydney she set out.

Now her pantin' bosom hankers

Spicily her form to deck,

So she sought her husband's bankers

And she drew a heavy cheque.

She, of course, in dress a part spent,

Satins, sables, silk and grebe,

And she took some swell apartments

Situated near the Glebe.

With the very highest classes

In her heart she longed to jine—

Her opinion placed the masses

Lower in the scale than swine.

But she found it wasn't easy

Climbin' up ambition's slope;

Slippy was the road, and greasy,

To the summit of her hope.

If into a "set" she wriggled,

She'd capsize some social rule,

Then those parties mostly giggled,

Loadin' her with ridicule.

Many an awkward solecism—

Many a breach of etiquette,

(Though she knew her catechism)

Often made her eyelids wet.

Her plebeian early trainin'

Was a precious pull-back then,

Which prevented her from gainin'

Footin' with the "upper ten."

Strugglin' after social fame was

Simply killin' her out-right,

So she settled that the game was

Hardly worth the candle-light.

Things got worse and things got worser,

'Till she had a vision strange,

The forerunner and precurser

Of a most decided change.

In a dream she saw the station

Where her father now was boss,

And his usual occupation

Was to ride a spavined hoss.

Round inspectin' every shepherd

With his penetratin' sight,

And those underlings got peppered

If he found things wasn't right.

When she saw her grey-haired sire

"Knockin' round" among the sheep,

For her home a strong desire

Made her yell out in her sleep.

Then she saw herself in fancy

In her strange fantastic dream,

With her elder sister Nancy,

Yokin up the bullock team.

Up out of her sleep she started,

And the tears came to her eyes;

She was almost broken-hearted,

To her waitin' maid's surprise.

She was sad and penitential,

Like the Prodigal of old,

So she got a piece of pencil

And her state of mind she told

To her grey and aged father

In that far outlandish place;

And she told him that she'd rather

Like to see his wrinkled face.

Then that quondam free-selector

Shed the biggest tears of joy;

When he knew he might expect her

His was bliss without alloy.

Home came Sarah, just as one fine

Day in May was near its close,

And the fadin' rays of sunshine

Glinted oil her father's nose.

She beheld it glowing brightly;

Filial yearning was intense;

So she made a rush and lightly

Cleared the four-foot paddock fence.

Original

Hugged he her in fond embraces;

Kissed she him with many a kiss;

And she busted her stay-laces

In an ecstasy of bliss.

Then she wept with sorrow, thinkin',

From the colour of his face,

That her parent had been drinkin',

Which was probably the case.

But he, when he found his coat all

Wet with many a filial tear,

Took a solemn pledge tee-total

To abstain from rum and beer.

Then she went and sought her sisters,

Judy, Nancy, and the rest;

On their faces she raised blisters

With the kisses she impressed.

And she once more con amore

"Cottoned " to the calves and sheep,

Likewise for her parent hoary

She professed affection deep.

Lavished on him fond caresses,

Stuck to him like cobbler's-wax,

Cut up all her stylish dresses

Into garments for the blacks.

All her talents were befitted

To a rough-and-tumble life,

And from sheep to sheep she flitted

When the "scab" and "fluke" were rife.

Sarah's heart was soft and tender,

Her repentance was complete,

Never sighed she more for splendour,

For the "Block" or George's-street.

Many a "back-block" lady-killer,

Many a wealthy squatter's son,

Wanted her to "douse the wilier,"

But she wasn't to be won.

For that free-selector's daughter

Said, when settled in her home,

She'd be (somethinged) if they caught Her

Venturin' again to roam.

Original

THE CATTLE MUSTER.

THE NIGHT CAMP.

The song goes round, we yarn and chaff,

And cheerily the bushman's laugh

Rolls through the forest glade.

The hobbled horses feed around,

We hear the horse-bell's tinkling sound;

The sand beneath their feet is ground,

As in the creek they wade.

We hear them crunch the juicy grass—

The water gleams like polished glass,

Beneath the moon's bright ray.

Mosquitos form in solid cloud—

They sting and sing, both sharp and loud;

Around the prostrate forms they crowd,

And keep repose at bay.

We watch the stars shine over head,

And lounge upon the bushman's bed—

A blanket on the ground.

Each feels himself Dame Nature's guest,

Our heads upon our saddles rest;

At length, with weariness oppressed,

We sink in sleep profound.

We sleep as only weary ones

Among hard-handed labour's sons,

With minds at rest from debts and duns—

As only these can do—

Until the daylight's first faint streak

Has lightly touched the distant peak,

And o'er us where the branches creak,

Is slowly creeping through.

Reluctantly with sleep we strive,

And hear the call to "look alive"!

We soon desert the camp.

The horses caught and blankets rolled,

The "Super's" brief instructions told—

We mount, and scarce our steeds can hold,

Impatiently they stamp.

THE MUSTER.

We ford the creek and need no bridge,

And climb a steep and scrubby ridge,

And then, boys, there's a sight!—

The "gully," by the sun unkist,

Beneath lies rolled in gleaming mist

And flowing waves of light;

As yet untouched by noon-tide heat,

Like rocks where broken waters meet,

'Tis wrapped as by a winding sheet

In billows fleecy white.

Onward, and soon the sun's fierce rays

Will dissipate the morning haze—

He soars in fiery pomp.

We skirt the shallow "clay-pan's" marge,

Force "lignum" thickets, dense and large,

And often-times we briskly charge

Some dark "Yapunya-swamp."

We gather first a quiet lot,

Then off again with hurried trot

Upon our toilsome tramp.

Each gully, range, and hill we beat,

Charge every horned thing we meet—

With ringing shout and gallop fleet—

And "run" then "on the camp."

The shaggy herd increases fast;

We know by lengthened shadows cast

Time too has galloped hard;

'Twill try our powers, howe'er we strive,

This most rebellious mob to drive,

E're night-fall, to the yard.

THE RUN HOME.

The order comes,—"Each to his place!"

And homeward now at length we face.

The frightened monsters roar;

Some tear the unresisting ground,

And some with frantic rush and bound

(Half maddened by the stockwhip's sound)

Each other fiercely gore!

We spread along the scattered line,

Some on the "wings," and some behind,

And steer them as we can.

There's but one pass through yonder hill;

To guide them there will need some skill,

And try both horse and man.

Some hidden object checks them there;

The leaders snuff the wind, and glare,

Then bellowing with their tails in air,

Swerve madly to the right.

A stockman hears our voices ring;

With easy stretch and supple spring,

His horse bears down along their wing,

The living mass he wheels:

Too close he presses; at the sight

One "breaks" and bellows with affright;

Dick swoops upon him, like a kite;

The cutting thong he deals;

It falls with heavy sounding thwack—

Such din those mountain gullies black

Have scarce or never heard.

He knows his work, that well-trained hack,

Nor heeds the stockwhip's echoing crack,

And sullenly the bull turns back,

To join the hurrying herd.

"Look out!" a warning voice has said,

"There's 'Mulga,' boys, and right ahead!"

And now begins the rub;

From some their garments will be stripped,

And saddle-flaps and "knee-pads" ripped,

And horses' feet in holes be tripped,

Before they clear the scrub.

You, stockmen from the Murray's side,

Who through the "Mallee" boldly ride,

Beware the "mulga-stake!"

'Tis strong and tough as bullock-hide,

Nor will, like "mallee," turn aside;

But, in its savage, sylvan pride,

Will neither bend nor break!

Once through the scrub, we don't care how

Things go; we've got them steadied now

And haven't lost a beast—

And, far as ranges human eye,

The plains are level as a die—

Our toil has nearly ceased.

The Sun goes down, the day-light fails,

But now we near the Stockyard rails—

We've one sharp struggle more.

One half the mob have never been

(Forced from those gullies cool and green)

In "branding-yard" before!

We jam them at the open space;

They ring around, and fear to face

The widely open gate.

Whips crack, and voices shout in vain;

The cattle "ring," and strive again

To force a passage to the plain.

Impatiently we wait,

Till one old charger glares around,

And snuffing cautiously the ground

Stalks through between the posts.

With lowered heads the others "bore"

And jam, and squeeze, and blindly gore;

And with a hollow muttered roar

Pour in those horned hosts!

Those posts are fourteen inches through—

They creak, and groan, and tremble too,

Before that pouring rush!

They're in at last, the gates are shut;

And falls o'er paddock, yard, and hut,

A calm nocturnal hush.

Original

In youth he met with sad rebuffs,

Hard, hard was William's lot,

And most unnecessary cuffs

And kicks he often got.

At length one night both dark and black

A window he got through,

And with fresh weals upon his back

He joined a whaler's crew.

He learnt to "hand," and "reef," and steer,

And knew the compass pat;

He learnt to honour and revere

The boatswain and his "cat."

He went to every coral isle

Down in the Southern seas,

Where dark-eyed beauties beam and smile

Beneath the bread-fruit trees.

His foot was firm upon the deck

As Norval's on his heath;

He dared the tempest and the wreck

For whale and walrus teeth.

He braved Pacific foam and spray,

For oil and bêche-le-mer,

Till he grew ugly, old, and grey,

An ancient mariner.

His face got red, and blue, and pink

With grog and weather stains;

He looked much like the missin link

When in the mizen chains.

Original

II.

Bill Blubber's gone, and he'll be missed

By all on British soil;

Be aisy now and hold your whist,

He'll go no more for Hoyle!

No more he'll see the billows curl

In north Atlantic gales;

No more the keen harpoon he'll hurl

At spermaceti whales.

Ah! never more he'll heave the log—

A harsh decree was Fate's;

He took an over-dose of grog

When up in Be(e)hring Straits.

Death blew a bitter blast and chill

Which struck his sails aback,

And round the corse of Workhouse Bill

They wound a Union Jack.

A "longing, lingering look" they cast,

Then sewed him in a bag,

And half way up the lofty mast

They hoist the drooping flag.

His mess-mates crossways tossed the yards,

Askew they hung the sails,

Eschewed tobacco, rum, and cards,

And filled the ship with wails

The grief-struck skipper drank some grog,

Of solace he had need,

And made an entry in the log

No livin' soul could read.

And then a ghastly laugh he laughed

His spirits to exhalt,

And then he called the boatswain aft

And mustered every salt

The whalers gave one final howl,

And cursed their hard, hard lucks;

They came, and though the wind was foul,

They wore their whitest ducks.

Original

The captain—kindest, best of men—

Strove hard his breath to catch;

(Crouched like an incubating hen,

Upon the after-hatch).

He said as how the time was come

To Bill to say good-bye;

And tears of water and of rum,

Stood in each manly eye.

Said he, "My lads, dispel this gloom,

"Bid grief and sorrow halt;

"For if the sea must be his tomb,

"D'ye see it aint his f(v)ault.

"' Tis true we'll never see his like

"At 'cutting in' a whale—

"At usin knife an' marlin-spike,

"But blubber won't avail.

"Soh! steady lads, belay all that!

"'Vast heaving sobs and sighs;

"Don't never go to 'whip the cat'

"For William, bless his eyes!

"I knew him lads when first he shipped,

"And this is certain, that

"Though William by the 'cat ' was whipped,

"He never 'whipped the cat!"

The skipper read the service through,

And snivelled in his sleeve,

While calm and still, old work'us Bill

Awaits the final heave.

He had no spicy hearse and three,

No gay funereal car;

But, at the word, souse in the sea

They pitch that luckless tar.

Short-handed then those whalemen toil

Upon their oily cruise,

And many and many a cruse of oil

For want of Bill they lose.

The mate and captain in despair

His cruel fate deplore;

His mess-mates swore they never were

In such a mess before.

The crew, who had a bitter cup

To drink with their salt-horse,

When next they hauled the mainsel up,

Bewailed his missin corse. *

               * Mizen-course o' course.

Alas! his corpse had downward sunk,

His soul hath upward sped,

And Will hath left a sailor's 'bunk'

To share an oyster's bed.

We hope his resting place will suit—

We trust he's happy now—

Laid where the pigs can never root,

Lulled by the ocean's sough.

Original

Original

This Christmas-eve? This stifling night?

The leaves upon the trees?

The temperature by Farenheit

Some ninety odd degrees?

Ah me! my thoughts were off at score

To Christmases I've passed,

Before upon this Southern shore

My weary lot was cast.

To Christmases of ice and snow,

And stormy nights and dark;

To holly-boughs and mistletoe,

And skating in the Park

To vast yule-logs and yellow fogs

Of the vanished days of yore—

To the keen white frost, and the home that's lost,

The home that's mine no more.

'Twas passing nice through snow and ice

To drive to distant "hops,"

But here, alas! the only ice

Is in the bars and shops!

I've Christmased since those palmy days

In many a varied spot,

And suffered many a weary phase

Of Christmas cold and hot.

When cherished hopes were stricken down-

Hopes born but to be lost—

And when the world's chill blighting frown

Seemed colder than the frost.

'Tis hard to watch—when from within

The heart all hope has flown—

The old year out, the new year in,

Unfriended and alone

When whispers seem to rise and tell

Of scenes you used to know—

You almost hear the very bells

You heard so long ago.

I've Christmased in a leaky tub

Where briny billows roll,

And Christmased in the Mulga scrub

Beside a water-hole.

With ague in my aching joints,

And in my quivering bones;

My bed, the rough uneven points

Of sharp and jaggèd stones.

Where life a weary burden was

With all the varied breeds

Of creeping things with pointed stings,

And snakes, and centipedes.

'Twas not a happy Christmas that:

How can one happy be

With bull-dog ants inside your hat,

And black ants in your tea?

Australian child, what cans't thou know

Of Christmas in its prime?

Not flower-wreathed, but wreathed in snow,

As in yon northern clime.

Thou hast not seen the vales and dells

Arrayed in gleaming white,

Nor heard the sledge's silver bells

Go tinkling through the night.

For thee no glittering snow-storm whirls;

Thou hast instead of this

Only the dust-storm's eddying swirls—

The hot-wind's scalding kiss!

What can'st thou know of frozen lakes,

Or Hyde—that Park divine?

For, though by no means lacking snakes,

Thou hast no "Serpentine."

Thou hast not panted, yearned to cut

Strange figures out with skates,

Nor practised in the water-butt,

Nor heard those dismal "waits."

For thee no "waits" lugubrious voice

Breaks forth in plaintive wail;

Rejoice, Australian child, rejoice!

That balances the scale.

I see in fancy once again

The London streets at night—

Trafalgar square, St. Martin's Lane—

Each well remembered sight.

Past twelve! and Nature's winding-sheet

Is over street and square,

And silently now fall the feet,

Of those who linger there.

I see a wretch with hunger bold

(An Ishmaelite 'mong men)

Crawl from some hovel dark and cold—

Some foul polluted den—

A wretch who never learnt to pray,

And wearily he drags

His life along from day to day

In wretchedness and rags.

I see a wandering carriage lamp

Glide silently and slow;

The night-policeman's heavy tramp

Is muffled by the snow.

I hear the mournful chaunt ascend

('Tis meaningless to you)

"We're frozen out, hard-working men,

We've got no work to do!"

All, all the many sounds and sights

Come trooping through my brain

Of London streets, and winter nights,

And pleasure mixed with pain.

Be happy you who have a home,

Be happy while you may,

For sorrow's ever quick to come,

And slow to pass away.

Your churches and your dwellings deck

With ferns and flowers fair;

I would not breathe a word to check

The mirth I cannot share.

For, though my barque's a shattered hull,

And I could be at best

But like the famed Egyptian skull,

A mirth-destroying guest,

I would not play the cynic's part,

Nor at thy pleasure sneer—

I wish thee, Reader, from my heart,

A happy, glad New year.

ECHO VERSES.

Some years ago I chanced upon a magazine article containing a dissertation upon a now almost obsolete kind of versification, much affected by Ben Jonson and some of the last century poets, in which the first two or three lines of each verse ask a question, and the echo of the concluding words gives an answer more or less appropriate. An amusing example was given in the article above mentioned, which was equally rough on the great violinist of the past and his audience, thus:

"What are they who pay six guineas

To hear a string of Paganini's?"

(Echo) "Pack 'o ninnies!"

I read this and a few other examples, and was straightway stricken with a desire to emulate this eccentric and somewhat difficult species of versification, and now with considerable diffidence, and a choking prayer for mercy at the hands of the critic, I lay my attempt before the reader. The following echo-verses are not on any account whatever to be understood as reflecting on the present or any past Government of this Colony. They are merely to be taken as shadowing forth a state of things possible in the remote future.

WHAT AN ECHO TOLD THE AUTHOR.

Author, musing:

Our land hath peace, prosperity, and rhino,

And Legislators true, and staunch, and tried—

What trait have they, that is not pure—divine oh?

(Echo interposing) "I know!"

What is it, if thus closely thou hast pried?

"Pride!"

If thus into their hearts thou hast been prying,

Thy version of the matter prithee paint;

Tell us, I pray, on what are they relying?

"Lying!"

I thought their honour was without a taint—

"Taint!"

Have they forgotten all their former glories?

Their virtue—what hath chanced its growth to stunt?

Oh! wherefore should they change their ancient mores?

"More ease!"

What weapon makes the sword of Justice blunt?

"Blunt!" *

               * Coin

Thou would'st not speak thus, wert thou now before 'em:

Why do I heed, why listen to thy tale?

Can'st purchase, then, the honour of the Forum?

For Rum!"

And what would blind Dame Justice with her scale?

"Ale!"

Beware! the fame of Senators thou'rt crushing!

Too flippantly thou givest each retort.

What are they doing while for their shame I'm blushing?

"Lushing!"

And drinking?—pray continue thy report—

Port

Curse on these seeds of death, and those who sow them

But there's another thing I'd fain be told—

What of the masses, the canaille below them?

"B-low them!"

Thou flippant one! how is the mob consoled?

"Sold!"

Now, by stout Alexander's sword, or

Rather by his Holiness the Pope!

By what means keep they matters in this order?

"Sawder!"

With what do they sustain the people's hope?

"Soap!"

Take they indeed no passing thought, no care or

Heed of what for safety should be done?

What brought about this modern Reign of Terror?

"Error!"

Is there no hope for thee, my land, mine own?

"None!"

Base love of liquor, ease, and lucre, this it

Is which coileth round her, link on link;

Dark is her hope, e'en as the grave we visit!

"Is it?"

Of what black illustration can I think?

"Ink!"

Alas my country! shall I not undeceive her?

Shall I not strike one patriotic blow?

I'd help her had I but the means, the lever—

"Leave her!"

May we not hope? speak Echo, thou must know—

"No!"

Then shall be heard—when, round us slowly creeping,

Shall come this adverse blast to fill our sails—

Instead of mirth, while hope aside 'tis sweeping—

"Weeping!"

Instead of songs of praise in New South Wales—

"Wails!"

Original

THE following ballad suggested itself to the Author while in the remote interior and suffering from a severe attack of indigestion, he having rashly partaken of some damper made by a remorseless and inexperienced new-chum. Those who do not know what ponderous fare this particular species of bush-luxury is when ill-made may possibly think the sub-joined incidents a little over-drawn. If a somewhat gloomy atmosphere be found pervading the narrative, it is to be attributed to the fact that all the horrors of dyspepsia shadowed the Author's soul at the time it was written, and, if further extenuation be required, it may be stated that he had previously been going through a course of gloomy and marrow-freezing literature, commencing with Edgar Poe's "Raven," and winding up with the crowning atrocity (or albatrossity) which saddened the declining years of Coleridge's Ancient Mariner.

THE SHEPHERD'S VENGEANCE,

Fytte the First.

The squatter kings of New South Wales—

The squatter kings who reign

O'er rocky hill, and scrubby ridge,

O'er swamp, and salt-bush plain—

Fenced in their runs, and coves applied

For shepherding in vain.

The squatters said that closed should be

To tramps each station-store;

That parties on the "cadging suit"

Should ne'er have succour more;

And when Bill the shepherd heard the same

He bowed his neck and swore.

Now, though that ancient shepherd felt

So mad he couldn't speak,

No sighs escape his breast, no tears

From out his eyelids leak,

But he swore upon the human race

A black revenge to wreak.

He brooded long, and a fiendish light

Lit up the face of Bill;

He saw the way to work on men

A dark and grievous ill,

And place them far beyond the aid

Of senna, salts, or pill.

He hied him to his lonely hut

By a deep dark, lakelet's shore;

He passed beneath its lowly roof—

He shut and locked the door;

And he emptied out his flour bag

Upon the hard clay floor.

Awhile he eyed the mighty mound

With dark, malignant zeal,

And then, a shovel having found,

"Their fates," said he, "I'll seal";

And he made a "damper" broad and round

As a Roman chariot-wheel.

He soddened it with water drawn

From out that black lagoon,

And he smiled to think that those who ate

A piece of it would soon

Be where they'd neither see the light

Of sun, nor stars, nor moon.

For when that damper came to be

Dug from its glowing bed,

Its fell specific gravity

Was far o'er gold or lead,

And a look of satisfaction o'er

That shepherd's features spread.

Fytte the Second.

The shepherd sat by the gloomy shore

Of the black and dark lagoon;

His face was lit, and his elf-locks hoar

By the rays of the rising moon.

Original

His hand was clenched, and his visage wore

A deadly frown and black,

And his eye-balls glare, for a stranger fair

Is wending down the track.

The shepherd hath bidden the stranger halt

With courtesy and zeal,

And hath welcomed him to his low roof-tree,

And a share of his evening meal.

As the fare he pressed on his hungry guest,

And thought of its deadly weight,

With savage glee he smiled for he

Imagined his after fate.

The stranger hath eaten his fill I ween

Of that fell and gruesome cake,

And hath hied him away in the moon-light's sheen

For a stroll by the deep, dark lake;

For he thought he'd lave each stalwart limb

In the wavelet's curling crest,

And take a dive and a pleasant swim

'Ere he laid him down to rest.

The coat that covered his ample chest

On the lakelet's marge he threw;

His hat, his boots, and his flannel-vest,

And his moleskin trowsers too.

He hummed a tune, and he paused awhile

To hear the night-owl sing;

His ears were cocked, and his palms were locked,

Prepared for the final spring.

An unsuspecting look he cast

At the objects on the shore—

A splash! a thud! and beneath the flood

He sank to rise no more!

The shepherd saw from his lonely hut

The dread catastrophé;

A notch on a withered stick he cut—

"That's number one," said he,

"But, if I live 'till to-morrow's sun

"Shall gild the blue-gum tree,

"With more, I'll stake my soul, that cake

"Of mine will disagree."

Then down he sat by his lonely hut

That stood by the lonely track,

To the lakelet nigh, and a horse came by

With a horse-man on his back.

And lean and lank was the traveller's frame

That sat on that horse's crup:

'Twas long I ween since the wight had seen

The ghost of a bite or sup.

"Oh! give me food!" to the shepherd old

With plaintive cry he cried;

A mildewed crust or a pint o'dust *

Or a mutton cutlet fried.

"In sooth in evil case am I,

Fatigue and hunger too

Have played the deuce with my gastric juice,

It's 'got no work to do.'

"I've come o'er ridges of burning sand

That gasp for the cooling rain,

Where the orb of day with his blinding ray

Glares down on the salt-bush plain

               * Flour.

"O'er steaming valley, lagoon, and marsh

Where the Sun strikes down 'till, phew!

The very eels in the water feels

A foretaste of a stew.

"I hungered long 'till my wasting form

Was a hideous sight to view;

But fit on a settler's fence to sit

To scare the cockatoo.

"My hair grew rank, and my eyeballs sank

'Till—wasted, withered, and thin—

The ends and points of my jarring joints

Stuck out through my parched up skin.

"Shrunk limb and thew, 'till at length I grew

As thin as a gum-tree rail;

At the horrid sight of my hideous plight

Each settler's face turned pale:

"And as I travelled the mulga scrubs,

And forced a passage through

I scared the soul of the native black

A gathering his 'nardoo.'

"On snake or lizard I'd fain have fed,

But piteous was my plight,

And the whole of the brute creation fled

In horror at the sight.

"Scrub turkeys, emus, I appall;

Their eggs I longed to poach,

But they collared their eggs, their nests and all,

And fled at my approach!

Original

"And the possums 'streaked' it up the trees,

And frightened the young gallârs,

And all the hairs on the native-bears

Stood stiff as iron bars!"

The shepherd came from his low roof-tree

And gazed at the shrunken wight;

He gave him welcome courteously,

And jested at his plight.

He led the traveller 'neath his roof,

And gazed in his wan, worn face,

Where want was writ, and he bid him sit

On an empty 'three-star' case.

And a smile of evil import played

On the face of ancient Bill

As some of the damper down he laid,

And bid him take his fill.

With mute thanksgiving in his breast

The food the stranger tore;

Piece after piece he closely pressed

Down on the piece before.

And then—his heart fresh buoyed with hope—

Essayed to mount his steed,

But the horse shut flat as an opera-hat

With the weight of his master's feed;

And horse and man sunk through the sod

Some sixty feet or less!

No crust, I swear, of the Earth could bear

The weight of the gruesome mess!

Original

Then the shepherd grinned with a grizzly grin

As he notched his stick again;

The night passed by and the sun rose high

And glared on the salt-bush plain.

Two "gins" set forth in a bark canoe

To traverse the gloomy lake,

And he bid them take enough for two,

For lunch, of the deadly cake.

Original

Enough for two! 'twas enough I ween

To settle the hash of four,

For the barque o'er-flowed with the crushing load—

They sank to rise no more.

And ever his fiendish lust for blood—

His thirst for vengeance grows;

In sport he threw a crumb or two

To the hawks and carrion crows;

And as they helpless, fluttering lay,

His eldrich laughter rings;

One crumb to bear through the lambent air

Was past the power of wings.

Beside his door he sat 'till noon

When a bullock-team came by;

The echoes 'round with the whips resound,

And the drivers' cheery cry.

Upon the dray a piece he threw

No bigger than your hand,

Of the cursed thing, 'twas enough to bring

The bullocks to a stand.

And, though they bend their sinewy necks

'Till red with their crimson gore,

And fiercely strain yoke, pole, and chain

With savage, muttering roar,

The wheels sank down to the axle-tree—

Through the hard baked clay they tore,

And a single jot from out that spot

They shifted never more.

Then the shepherd called to the drivers, "Ho!

My frugal meal partake."

And, though they ate but a crumb or two

Of the fell, unholy cake,

Down, down they sank on the scorching track,

Immovable and prone,

And steel blue ants crawled up their pants

And ate them to the bone!

For days by his lonely hut sat Bill,

The hut to the lakelet nigh,

And he wrought his dark revengeful will

On each traveller that came by.

And he eats nor drinks meat, bread, nor gruel,

Nor washes, nor combs, nor shaves,

But he yelled, and he danced a wild pas seul

O'er each of his victims' graves.

Original

Three weeks passed by, but his end was nigh—

His day was near its close,

For rumour whispered his horrid deeds,

And in arms the settlers rose.

They came, hinds, shepherds, and shearers too,

And squatters of high degree;

His hands they tied, and his case they tried

'Neath the shade of a blue gum tree.

They sentence passed, and they gripped him fast,

Though to tear their flesh he tried;

His teeth he ground, but his limbs they bound

With thongs of a wild bull's hide.

They laid him down on a "bull-dog's" nest,

For the bull-dog ants to sting;

On his withered chest they pile the rest

Of the damnèd cursèd thing.

They gather round and they stir the ground

'Till the insects swarm again,

And the echoes wake by the gloomy lake

With his cry of rage and pain.

O'er his writhing form the insects swarm—

O'er arm, o'er foot, and leg;

The damper pressed on his heaving chest,

And he couldn't move a peg.

'Till eve he lay in the scorching heat,

And the rays of the blinding sun,

Then the black-ants came and they soon complete

What the bull-dogs have begun.

Original

'Tis o'er at last, and his spirit passed

With a yell of fiendish hate,

And down by the shore of that black lagoon,

Where his victims met their fate—

Where the "bunyip" glides, and the inky tides

Lip, lap on the gloomy shore,

And the loathsome snake of the swamp abides,

He wanders ever more.

And when the shadows of darkness fall

(As hinds and stock-men tell)

The plains around with his howls resound,

And his fierce, blood-curdling yell.

The kangaroos come forth at night

To feed o'er his lonely grave,

And above his bones with disma' tones

The dingos shriek and rave.

And when drovers camp with a wild-mob there

They shiver with affright,

And quake with dread if they hear his tread

In the gloom of the ebon night!

SOCIAL EVILS.

I feel that any reader who has been long-suffering enough to accompany me thus far must be craving earnestly for a change of some sort, even though it but take the form of an oasis of indifferent prose in a monotonous Sahara of verse; I want it myself, and I know that the reader must yearn for it, even as the bushman who has sojourned long among the flesh-pots of remote sheep and cattle stations yearneth after the pumpkins and cabbages of the Mongolian market gardener. I am, therefore, going to write about social evils; not because I think I can say anything particularly original or striking about them, but because I must have a subject, and I know the craving of the Colonial mind after practical ones. I commence diffidently, however; not on account of the barrenness of the theme—oh! dear no—it is its very fruitfulness which baffles me; its magnitude that appals me; its comprehensiveness which gets over me; and my inability to deal with it in such limited space which "knocks me into a cocked-hat".

Even as I write, things which may be legitimately called social evils rise up before me in spectral array, like Banquo's issue, in sufficient numbers to stretch not only to the "crack of doom,"—wherever that mysterious fissure may be—but a considerable distance beyond it.

Unfortunately, too, each one, like the progeny of that philoprogenitive Scotchman, "bears a glass which shows me many more," until I am as much flabbergasted as Macbeth himself, and am compelled to take a glass of something myself to soothe my disordered nerves.

If every one were permitted to give his notion of what constitutes a social evil my difficulties would be still more augmented, and the schedule swelled considerably. I know men who would put their wives down in the list as a matter of course; and others, fathers of families, who would include children. Few married men would omit mothers-in-law; most domestics would include work and masters and mistresses; and hardly anybody would exclude tax-gatherers. Fortunately, however, these well-meaning, but mistaken reformers, will have to take back seats on the present occasion, and leave me to touch on a few, at least, of what are legitimate and undeniable social evils.

Look at them, as they drag their mis-shapen forms past us in hideous review! Adulteration of food, political dishonesty, "larrikinism," barbarism on the part of the police, lemonade and gingerbeerism in the stalls of theatres, peppermintlozengism in the dress circle, flunkeyism, itinerant preacherism in the parks—what a subject this last is, by the way, and how beautifully mixed up one's faith becomes after listening to half a dozen park preachers, of different denominations, in succession! After hearing the different views propounded by these self-constituted apostles, an intelligent islander from the Pacific would receive the impression that the white man worshipped about seventy or eighty different and distinct gods (a theological complication with which his simple mind would be unable to grapple), and he would probably retire to enjoy the society of his graven image with an increased respect for that bit of carving, and any half-formed inclinations to dissent from the religion of his forefathers quenched for ever.

I have neither space, ability, nor desire to tackle such stupendous subjects as political dishonesty or adulteration. They are so firmly grafted on our social system that nothing short of a literary torpedo could affect them in the slightest degree, but I do feel equal to crushing the boy who sells oranges and lemonade in the pit—who when, in imagination, I am on the "blasted heath" enjoying the society of the weird sisters, or at a Slave Auction in the Southern States, sympathising with the sufferings of the Octoroon, ruthlessly drags me back to nineteenth century common places with his thrice damnable war- cry of "applesorangeslemonadeanabill!" a string of syllables which are in themselves death to romance, and annihilation to sentiment, irrespective of the tone and key in which they are uttered. If for one happy moment I have forgotten that Hamlet is in very truth "a king of shreds and patches," or that Ophelia is a complicated combination of rouge, paste, springs, padding, and pectoral improvers, I maintain that it is playing it particularly rough on me if I am to be recalled to a remembrance of all this by the bloodcurdling shibboleth of these soulless fruit merchants. Can lemonade compensate me for the destruction of the airy castles I have been building? Can ginger-beer steep my senses again in the elysium of romance and sentiment from which they have been thus ruthlessly awakened? Or can an ocean of orange-juice wash away or obliterate the disagreeable consciousness that I am a clerk in a Government office, or a reporter on the staff of a weekly paper, and am neither Claud Melnotte nor "a person of consequence in the 13th century?"—unhesitatingly no! And if, in addition, there be wafted towards me a whiff or two of a highly-flavoured peppermint lozenge from some antique female—on whose head be shame! and on whose false front rest eternal obliquy—my cup of sorrow is full, my enjoyment of the drama is destroyed, the Recording angel has a lively time of it for an hour or so registering execrations, and I am plunged in an abyss of melancholy from which the arm of a Hennessy (the one that holds the battle axe) or a Kinahan can alone rescue me. And here, reader, I must conclude, for your patience is in all probability exhausted, and my washerwoman has called: she is a social evil of the most malignant type.

JL.

MORAL PHILOSOPHY FOR LITTLE FOLKS.

Little grains of rhubarb,

Spatula'd with skill,

Make the mighty bolus

And the little pill.

Little pence and half-pence,

Hoarded up by stealth,

Make the mighty total

Of the miser's wealth

Little trips to Randwick,

Taking six to three,

Make the out-at-elbows

Seedy swells we see.

Little sprees on oysters,

Bottled stout and ale,

Lead but to the cloisters

Of the gloomy gaol.

Little tracts and tractlets,

Scattered here and there,

Lead the sinner's footsteps

To the house of prayer.

Little bits of paper,

Headed I.O.U.,

Ever draw the Christian

Closer to the Jew.

Little chords and octaves,

Little flats and sharps,

Make the tunes the angels

Play on golden harps.

Little bouts with broom-sticks,

Carving forks and knives,

Make the stirring drama

Of our married lives.

Little flakes of soap-suds,

Glenfield starch, and blue,

Make the saint's white shirt-fronts

And the sinner's too.

Little tiny insects,

Smaller than a flea,

Make the coral inlands

In the southern sea.

Little social falsehoods,

Such as "Not at home,"

Lead to realms of darkness

Where the wicked roam.

Likewise little cuss words

Such as "blast," and "blow,"

Quite as much as wuss words

Fill the place below.

Original

AN AMBITIOUS DREAM.

           |I walked about in Wynyard Square

At four one afternoon;

I saw a stately peeler there,

He softly hummed a tune.

The sun-rays lit his buttons bright;

He stalked with stately stride;

It was a fair and goodly sight—

The peeler in his pride

And padded was his manly breast,

Such kingly mien had he,

And such a chest, I thought how blest

That peeler's lot must be.

I noted well his martial air,

And settled that of course

He was the idol of the fair,

The angel of the Force.

No cook or house-maid could resist,

I felt, by any chance,

That dark moustache with cork-screw twist,

That marrow-searching glance.

And o'er each little news-boy's head

He towered like a mast;

His voice, to match that stately tread,

Should shame a trumpet-blast!

I pondered on the matter much

And thought I'd like to be

Escorted to the "dock" by such

A demi-god as he.

I gazed upon his form entranced—

He never noticed me,

For visions through his fancy danced

Of mutton cold for tea.

He knew he hadn't long to stand

'Till—Mary's labours o'er—

She'd lead him gently by the hand

Inside the kitchen door.

Ensconced in some snug vantage-coign

At ease he'd stretch each limb,

And feast on cutlet and sirloin,

Purloined for love of him.

Original

I leant against a scaffold-beam—

I must have had a nap

I think, because I had a dream—

I dreamt I was a 'trap'!

I thought I had allegiance sworn

And that there was for me

The regulation tile that's worn

By every trap you see;

The coat and thingumbobs as well,

What joy could equal this?

No Gillott's patent pens could tell

My wild ecstatic bliss!

I thought they portioned out my beat—

A foot I'm sure I grew,

And as I walked up Hunter Street

I felt a match for two.

I felt my bosom throb behind

My coat of azure blue,

And trembled for the peace of mind

Of every girl I knew.

I saw myself in future fights

The populace enthrall,

While brightly blaze the city lights

I cry "come one, come all!"

To grab their leader see me try

(Though rent my lovely coat)

The light of battle in my eye,

My hand upon his throat!

The truncheon used with practised skill

Requites him for his sin,

In such a hand as mine it will

Abraise his rebel skin.

I thought of each bush-ranging chap,

And for a moment sighed

That I was not a mounted trap

Through tea-tree scrub to ride.

But soon the notion I dismiss,

For I can plainly see

That such a line of life as this

Much harder lines would be.

Beneath a bushel in the bush

My shining light to hide,

I felt would be a gross misuse

Of Sydney's hope and pride.

My look alone would petrify

A breaker of the peace,

And where I turned my searching eye

Dishonesty would cease.

Police reports my name should state,

Each deed of mine should be

A deed for traps to emulate,

And try to be like me.

My blushing honours should be worn

With unobtrusive grace,

And energy and zeal adorn

My calm heroic face.

My beat was not in nasty slums

Where vulgar rowdies meet;

But see! the conquering hero comes—

The pride of George's Street!

I thought he'd be a hardy boy

Who'd shout in accents coarse

"Who stole the mutton-pie, ahoy!"

Now I was in the force.

Or should a cabby ere presume

To overcharge a fare,

My eagle glance it would consume

That cabby then and there.

Now mercy light on yonder boy

Who blows the sportive pea!

His visage lit with fiendish joy—

For he'll get none from me.

Some power save him from my care,

Preserve him from my clutch,

Or mutilated past repair

He 'll have to use a crutch.

His form, though supple as an eel,

His mother wouldn't know

Again if I'd a chance to deal

One stiffening truncheon blow!

No more his little idle hands

Will scatter orange peel

When fast enclosed in iron bands,

Or brightly polished steel.

I'd marked a nice secluded seat,

'Twas somewhere in the park,

Where I could slumber long and sweet

As soon as it got dark.

I spotted out each servant gal

I'd let make love to me,

The houses where I'd take a "spell,"

And call and have my tea.

I took the bearings of the doors,

And windows front and back

Where I, unseen, by vulgar boors,

Could go and have a "snack."

Fond, foolish women, at my feet

In yearning worship fell,

And one, she was uncommon sweet,

Her name I'll never tell.

I thought I'd never lived 'till now,

Or that I'd lived in vain;

It was a hardish rub, I vow,

That I should wake again.

Fulfilment of a nobler plan

Ambition couldn't crave—

I was a trap!—each common man

Seemed born to be my slave!

But stay—whose hand is on me now?

Who dares to clutch my cape?

What light is this, and who art thou,

Thou shadowy, ghastly shape?

A fearful light is shed around,

I quake and dare not stir—

A voice! and husky is its sound—

It says,—"'Ullo! you, Sir!"

Before me was the man I'd praised,

And my illusion fled

When his infernal truncheon raised

A blister on my head.

Sometimes at midnight's solemn hour

I dream this dream again,

And, thinking its her form once more,

The pillow tightly strain;

Or fiercely to the door I spring,

And firmly grip the hasp,

And smile to think I've got again

The truncheon in my grasp.

The beads of sweat they gather fast,

And from my nose they fall,

I wake, and find, alas! alas!

I'm not a trap at all!

Original

        * Originally contributed to Sydney Punch.

SUPERNATURAL REVELATIONS OF A FANCY-GOODS MAN,

OR THE DIABOLICAL DEMON OF THE DEADLY DRAIN.

There lived in Parramatta Street

A cove—his name was Joe—

Who nightly sniffed its odours sweet

(Not very long ago.)

Its every scent right well he knew,

They often made him frown,

And he was fancy-goods-man to

A big firm here in town.

Original

As Joe lay down one night—he slept

In summer far from from well—

A nameless horror o'er him crept,

Of what he couldn't tell;

His hair was rising up he knew,

He felt his blood grow cold;

He felt a little frightened, too,

For Joseph wasn't bold.

Original

And while he vainly seeking rest,

Lay tossing to and fro,

By name he heard himself addressed—

The unknown voice said, "Joe!"

"Arise, Oh Joseph! from thy bed—

Arise, and follow me!

Hush! not a word," the spirit said,

"For I'm a ghost, d'ye see?

"Bring kerosene, and bring thy lamp,

And arm thee to the teeth,

For thou in yonder gloomy swamp

Shalt win a laurel wreath."

Original

"Now follow me," the spirit said,

"For well I know the track,

And thou shall slay the demon dread

Of Wattle Swamp the Black."

Then toward the demon's dread abode

The ghastly goblin flits—

The spirit was to show the road,

And Joe to give him "fits."

And silently they followed all

The windings of the creek;

At times they heard a night-bird call—

At times a tom-cat shriek.

Original

But of the voices of the night

They took no heed as yet;

The ghost said, "Joseph, are you right?"

And Joseph said, "You bet!"

And thus began the demon-hunt:

The road was dark and drear;

The ghost was mostly on in front,

And Joseph in the rear.

At times they crawled along a trench

That held Joe's feet like glue;

And there was many a stifling stench,

And many a cast off shoe.

Original

And oft they waded deep in slime

Where rotting herbage grew;

The ghost said, "Joseph, take your time,"

And Joseph murmured, "ph—ew!"

At length a dark and gloomy pond

Appeared to block the track;

The spirit was for goin' on,

And Joe for goin' back.

Before the breeze his shirt-tails blow,

And though he's sore distressed,

The spirit said he had to go,

And Joseph gave him best.

"Young man!" the spirit said, "'tis vain

To bandy words with me;

Just stretch those bandy legs again,

For I'm a ghost, d'ye see?"

And Joseph, making answer soft,

They thus resumed the track—

The spirit bore the lamp aloft,

And Joseph on his back.

Original

"Yon demon dread," the spirit said,

"Has reaped his human crops,

And feasted, battened on the dead

Too long—we'll give him slops!"

he ghost explained the shrieks which rose

From out the inky tides

Were made by disembodied coves

With pains in their insides.

E'en while he spoke a horrid smoke

Belched forth upon the air,

And forth fresh yells and shriekings broke,

And up went Joseph's hair.

The spirit slid him from his back,

But Joseph trembled so,

And wished devoutly he was back

With Messrs. Blank & Co.

"Stand firm!" the spirit said, "drink this

'Tis strength and courage too;

We'll awe this great metropolis

With deeds of 'derring-do.'"

Original

Then straightway rose before their sight

The demon's war-like crest;

He's green and blue, and black and white,

With plague-spots on his breast.

I could not paint the demon's form—

Distraught, convulsed with ire—

His voice was like the thunder-storm,

His eyes like lakes of fire.

He breathed forth typhoid, boils and croup

With every breath he drew;

His touch meant measles, whooping-cough

And scarlatina too.

He comes with measured steps and slow—

Earth groaned beneath his tramp—

And with one grinding, crashing blow,

He shivered Joseph's——lamp!

He glared around him, and his eyes

Shone with a baleful light:

"Who, who are ye," the demon cries,

That wander through the night?

Original

"Who, who are ye, that dare to come

My fair domain to haunt?

Go, seek some more congenial slum,

Avaunt! d'ye hear? Avaunt!"

Now Joseph felt his courage rise

From out his blucher boots,

And while the cautious curlew cries,

And while the swamp-owl hoots—

Despite a lingering touch of cramp—

His muscles he did brace,

And hurled the fragments of the lamp

Slap in the demon's face!

"Who's this?" the demon said, said he,

"A stalwart knight, I ween!

My eyes are blind, I cannot see,

They're full of keroseen"

Then Joseph's heart within him leapt—

The demon being blind—

Right gingerly he crawled and crept,

And gave him one behind.

The spirit used a two-edged sword

(He used it like an axe)

And while that outraged giant roared,

His right leg he attacks.

Thus, thu close, that warlike pair,

Upon the slimy beach,

And Joseph poked him here and there,

Wherever he could reach.

And while the giant squirmeth from

The toasting-fork of Joe,

The ghost (clean peeled) came grimly on

To strike the final blow.

Original

Then, Joe, when he his tactics knew,

Attacked his other calf,

And swamp-owls' echoed as they flew

The spirit's ghastly laugh.

And soon, beneath those stalwart knocks

Which echo and resound,

The demon's severed person rocks

And topples to the ground

"Go in and win," the spirit said—

"Go in and win, old son!"

The demon he was nearly dead.

So Joe went in and won.

That ghost full many a 'spotted-gum'

Had felled in life, you see,

And so they felled that spotted one,

For foul and fell was he.

"Now fetch me wedges," quoth the ghost,

"For here, I guess, we'll camp;

We'll blast his trunk, split rails and posts,

And fence Blackwattle Swamp!"

But stay! what means that sounding thwack?

That agonizing roar?

And how comes Joseph on his back—

Upon his bedroom floor?

Where's now the elevated head,

The majesty and pomp

Of him who slew the demon dread

That lived in Wattle Swamp?

Mephitic odours filled the room,

And, acting on his brain,

These made him dream of blackest gloom,

And deadly demons slain.

'Till, rolling from his couch, he broke

The silence with a scream,

He bumped upon the floor—then woke, *

And found it all a dream!

Next morning, so tradition tells,

His way to church Joe took,

To curse the Corporation swells

With candle, bell, and book.

     * Justice compels me to state that the condition of the
     swamp referred to has been materially improved of late, and
     it is no longer the all-powerful and putrifying nuisance it
     was.

He prayed that they might cursèd be

Within the Council hall,

At evening parties, breakfast, tea,—

At dinner most of all.

That they might feast in woe and grief,

On chicken with the croup;

That pleuro might infect their beef,

And flies invade their soup;

Original

That turtles, though so often "turned,"

Might some day turn on them,

And that at last they might be burned,

And fricasseed in-hem!

And ne'er this curse shall lifted be

From Aldermanic back,

Until from odours foul set free

Is Wattle Swamp the Black.

CHRISTMAS.

By a New Chum.

What means that merry clanging chime

Which fills the air with melody?

They tell me that 'tis Christmas time,

But that I think can scarcely be.

This explanation is, I say,

A little bit too thin for me,

While fiercely strikes the solar ray

Through hat of straw and puggaree.

The centigrade, I grieve to see,

Stands up at figures past belief,

And naught but frequent S and B

Gives my perspiring soul relief.

No veil of snow enwraps the lea,

And as for skating in the Park,

Or sledging, one as well might be

On Ararat in Noahs ark.

Where is the icy blast, and where

The white hoar frost, and driving sleet?

At night I suffocate and swear

With nothing on me but a sheet.

Mosquitoes hum the whole night through,

And flies salute me when I wake

In numbers anything but few,

And yesterday I saw a snake.

No leaf decays; no flower dies;

All nature seems as fair and bright

As, when beneath Judean skies,

The shepherds watched their flocks by night.

[In fair Judea's sunny clime,

Among its mountain gorges lone,

Those shepherds had a rosy time,

For wire-fencing wasn't known.

They were not prone to "knocking-down"

Of cheques or going on the spree,

For "pubs" and "shanties" were not found

Beside the Lake of Galilee.

They groaned not 'neath the squatters yoke;

A life of pure arcadian ease

Was theirs-ah! happy, happy blokes!

For this digression, pardon, please.]

Those Christmas chimes, indeed! their notes

Awake no passing thought in me,

Of flannel vests, and Ulster coats,

So Christmas chimes they cannot be.

A drowsy hum is in the air—

There's perspiration on my skin;

The locusts eat the grass-plots bare,

And deafen with their noisy din.

The folks were drinking summer drinks

When first I landed here last "fall

Tis summer still, alas! methinks

They have no Christmas here at all.

But stay! that paper pile sublime—

Of I O.U. and unpaid bill—

Breathes somewhat of the festive time

Of "peace on earth—to man good-will."

There's Starkey's bill for lemonade,

And Peape's and Shaw's for summer suits,

A host of others, all unpaid,

For ice, and cubas, and cheroots.

Enough! 'tis proof enough for me—

Proof stronger far than Christmas chime;

Your pardon, friend, for doubting thee,

Beyond a doubt 'tis Christmas time.

"THE CATARACT." *

I stood by the trunk of a giant box

And watched the Cataract down the rocks

With ceaseless thunder go.

The boiling waters seethed and hissed,

And glittering clouds of gleaming mist

Ascended from below.

The fading glow of the sunlight slants

O'er the frowning cliff which the creeping plants,

And moss, and lichens drape.

The mist spread forth on the sultry air—

'Twas wreathed in figures, some foul, some fair;

I traced the form of a spectre there

Of weird and ghastly shape.

There was silence, save for the summer breeze

Which swayed the tops of the mess-mate trees,

And the torrent's noisy flow.

Awhile the figure seemed to stand,

Then waved a shadowy, spectral hand,

And pointed down below.

     * Written for the Town and Country Journal, March 25th,
     1876, with reference to the well-known Cataract near Berrima.

With wild vague thoughts my fancy strove

Of hidden riches, and treasure trove,

And gems and jewels bright;

And what, thought I, if the omen's true?

And thick and fast such fancies grew

Till rock, and torrent, and spectre too

All faded from my sight

I saw the crust of the earth removed—

Each wild conjecture fairly proved—

I saw, 'twas even so,

Peerless gems of price untold,

Piles on piles of glittering gold,

And the moon-beams glinted clear and cold

On the wealth that lay below.

Ere long men came to that valley "fair;

They sought for coal-black diamonds there,

And they dragged them from below:

And the furnace fires, the hiss of steam,

And the whirr of fly-wheel, belt, and beam

Fulfilled that shadowy, golden dream

I dreamt so long ago.

THE STOCKMAN'S GRAVE.

Tom the stockman's gone—he'll never

Use again his supple thong,

Or, dashing madly through the mulga,

Urge the scattered herd along.

O'er for Tom is life's hard battle!

Well he rode, and nothing feared;

Never more among the cattle

Shall his cheery voice be heard.

Liked he was with' all his failings;

Let no idle hand efface.

That rude ring of rough split palings,

Marking out his resting place.

Sadly have his comrades left him

Where the cane-grass, gently stirred

By the north wind, bends and quivers—

Where the bell-bird's note is heard;

Where the tangled "boree" blossoms,

Where the "gidya" thickets wave,

And the tall yapunyah's * shadow

Rests upon the stockman's grave.

     * A species of Eucalyptus which flourishes on the Paroo and
     in the west of Queensland.

EPITAPH ON A CONVIVIAL SHEARER.

Here Thompson lies—good worthy man—

Come, gentle reader, nearer;

He's now as quiet as a lamb

Though once he was a shearer.

Though many sheep in life he shore,

He's now beyond retrieving!

He's sheered off to that other shore

Which surely there's no leaving.

Though he o'er ewes and wethers too

Was often bent, I'm thinking

Rough weather o'er him bends the yew—

He killed himself with drinking.

No more in shed, or yard, or hut

Will Thompson be appearing!

On wings of down his soul flew up—

He's gone where there's no shearing.

He often handled "Ward and Payne's,"*

For he was often shearing!

Alas! the pains of death reward

His everlasting beering.

And from his fingers dropped the shears,

For nature's debt was pressing;

Death nailed his body for arrears—

His spirit effervescing.

Though at his jokes we often roared,

He's now a soundish sleeper!

His crop of chaff at length is floored

By Death, that mighty reaper.

     * Note.—Ward and Payne's sheep shears are or were most in
     use in the Australian Colonies when the above was written.

A CANDIDATE FOR AN EARLY GRAVE.

What makes me wear my boots so tight,

And much pomatum buy,

Toss restless on my bed at night,

And like an earthquake sigh?

I 've seen a maid, I'd fain persuade

That girl to fancy me;

Thrice happy fate with such a mate

For life as Polly C———!

But then I can't without her aunt

That damsel ever see;

Why must there always be a "but"

Between my hopes and me?

And Polly C——— has got to be

Between me and my peace,

For though I can't endure the aunt,

I idolize the neice.

The aunt is forty-three at least,

The neice but seventeen;

For her I pine, for her so greased

My hair of late has been.

For her my feet are close compressed

In boots a deal too tight;

For her I sacrifice my rest,

And get no sleep at night;

For her I run that tailor's bill

That makes my father swear,

And to the grave I fear it will

Bring down his grizzled hair.

We met, but 'twas not in a crowd,

It was not at a ball,

Nor where cascades with thunder loud

From precipices fall;

Nor where the mountain torrents rush,

Or ocean billows heave;

Nor at the railway terminus

'Mid cries of "by'r leave;"

It was not in the forest wild,

Nor on the silent sea—

Romantic reader don't be riled—

'Twas at a "spelling-bee."

Original

'Twas there I marked the jetty coil

That crowned her classic head—

The perfumes of macassar oil

Were all around her shed.

And o'er the meaner spirits there

Her mighty soul arose;

Her intellect and genius were

Aspiring—like her nose.

And Polly was the fairest there—

'The goddess of the class—

Among the polysyllables

Unscathed I saw her pass.

Examiners with piercing eye,

And terror-striking frown

In vain to trip her up might try—

In vain to take her down.

She triumphs, and the loud applause

From roof to basement rings—

Each other girl with envy gnaws

Her hat and bonnet strings.

Sometimes (regardless of expense)

I dressed and went to church;

One glimpse of her would recompense

My eager longing search.

And, while the swelling organ rent

The air with solemn tunes,

On spelling-bees my thoughts were bent

And happy honeymoons.

And where I brooding sat alone

The wildest dreams I dreamt,

And swore to win her for my own

Or "bust' in the attempt.

We met at parties, and our toes

Whirl in the dreamy waltz,

And if at times a thought arose—

Could hair like that be false?

I sniffed the reassuring coil

That shamed the damask rose,

And could not breathe a thought disloyal

While that was near my nose.

Original

At length her aunt—the summer gone—

The influenza got;

To see my Polly to her home

It oft became my lot.

And if I took the longest way

The fraud was never known,

For organ of "locality"

My darling she had none.

One night, about the supper hour,

Thanks to some kindly fate,

We reached the entrance to her bower—

I mean the garden gate.

It was a gloomy night and wet

With rain and driving sleet,

And more than common risk beset

Pedestrians in the street.

From harm from wheel of cab or cart

I'd kept my darling free,

And in the fulness of her heart

She asked me in to tea.

Her aunt, that stately dame and grand,

Looked knives and forks at me;

She'd "Butter's Spelling" in her hand,

And "Webster" on her knee.

Her bead-like eyes gleamed bright behind

The spectacles she wore;

Of intellect and strength of mind

She had enough for four.

And tall her figure was, and spare,

And bony were her joints;

Orthography and grammar were

The strongest of her points.

A morbid taste this virgin chaste

For dictionaries had;

Though Polly C. might perfect be,

Her aunt was spelling mad.

I felt that if an angel bright

To earth from Oether fell,

She'd either give that Son of Light

Some heavy word to spell,

Or else she'd get him on to parse,

'Till sick of earthly things,

He'd work his passage to the stars

Upon his downy wings.

Original

At Dr. Blank's academy,

I never took the lead;

My grammar and orthography

Were very weak indeed,

And oft those academic walls

Have echoed to my howls,

Responsive to the Doctor's calls

For consonants and vow'ls.

His rules respecting "Q's" and "P's"

Were graven on our backs,

And though we had no spelling-bees,

I got my share of whacks.

For what the Doctor failed to see

Impressed upon the mind,

Was certain very soon to be

Impressed in full behind.

But still, despite the scathing look,

And cane of Dr. Blank.

My spelling powers never took

An elevated rank.

And if my hopes of Polly hung

Upon so frail a thread,

My life was blighted 'ere begun—

My hopes, scarce born, were dead.

All silent through that evening meal

I sat with bended head,

And now and then a glance I steal

At Polly while she fed;

But though her eyes I often seek,

I only look at most;

My heart's too full of love to speak,

My mouth too full of toast.

Oh! sweet love-feast!—too sweet to last—

Oh! bitter after-cud!

Oh! spinster grim why didst thou blast

Love's blossom in the bud?

For, ere one happy hour could pass,

That virgin grim and fell

Invited me to join the class

Where Polly went to spell;

And though I trembled in my shoes,

In hopeless agony,

Could I the aunt of her refuse

Whose spell was over me?

At length arrived the dreaded hour,

And primed with eau de vie,

I sought that orthographic bower

Where met the spelling-bee.

No hope of prizes lured me toward

Those hundred gleaming eyes,

For me there was but one reward,

And Polly was the prize.

For her my dull ambition leapt,

In literary lists

To cope with lunatics who slept

With "Webster" in their fists.

Vague dread forebodings cloud my brow,

And make my cheek grow pale,

Oh! Dr. Johnson help me now—

My hopes are in the scale!

My frame with apprehension shook;

To nerve me for the task,

With tender, longing, yearning look

I eyed my pocket-flask,

And tempted by the spirit bright

That dwelt within its lips,

I put the contents out of sight

In two convulsive sips.

A stony-eyed examiner

Came in and took the chair;

I knew a place that's spelt with "H,"

And wished that he was there.

I softly cursed his form erect,

His "specs" with golden rim,

And prayed that doctors might dissect

His body limb from limb.

But soon the spirit's subtle fume

Obfusticates my view;

The common objects of the room

Seem multiplied by two.

My breast, the late abode of funk,

With courage was embued;

I was a little less than drunk,

And something more than screwed.

And while my heart beat loud and fast

With wild convulsive pants,

I saw two Pollys, and alas!

A pair of Polly's Aunts!

I fail to solve the mystery

Which Polly I prefer,

But thought I'd like Polygamy

With duplicates of her.

Involved in intellectual gloom,

I found the A. B. C.

Had vanished, vanquished by the fumes

Of Henessey's P. B.

And when that stony-looking one

Applied at length to me,

I spelt "consumption" with a "K,"

And "kangaroo" with "C"!

I will not paint these harrowing scenes,

Nor keep thee, reader, long,

Nor tell thee how I shocked the "Bee"

By breaking forth in song.

Original

Two orthographic youths arose,

And dragged me from the room,

Despite my wild and aimless blows,

Into the outer gloom.

Original

With force, and tender soothing tones

They led me from the hall,

And laid me on the cold, cold stones

Beneath the bare brick wall.

They spread for me no blanket warm.

No cloak or 'possum-rug,

And peelers bore my helpless form

In triumph to the "Jug."

Next day I found the "summons-sheet"

A blanket cold indeed;

I felt that liberty was sweet,

I wanted to be freed:

But peelers' hearts are solid rock,

They wouldn't hear me speak,

They dragged me to the felon's dock

Before a hook-nosed "beak."

He offered me—that hook-nosed "beak"—

The option of a fine,

In place of many a weary week

Of punishment condign.

I mutely pointed to my Sire,

The fount of my supplies,

And then bereft of joy I left

The court with tearful eyes.

I could not read again and live

The note I got 'ere long,

From Polly's single relative

Anent my goings on.

She told me it would be as well

Our intercourse should cease—

That one who drank, and couldn't spell

Should never have her niece.

She recommended frugal fare,

And lexicons, and pumps,

But when I think of Polly's hair

My own comes out in lumps!

Oh! tell me not a "spelling-bee's"

A sweet and pleasant thing;

I've drunk of sorrow's bitter lees—

I've felt that insect's sting.

My hopes are dead, despair hath spread

O'er me its blackest pall;

The honey and the wine of life.

Are turned to bitter gall.

Although I'm barely twenty-one

My crop of care is ripe!

No joy have I in moon or sun,

Or in my meerchaum pipe.

Oh! where are now the happy days,

When first I learnt to smoke?

When life seemed one long holiday—

Existence but a joke?

When I'd no other thought or care

Except my cane to gnaw,

And train the soft incipient hair

That grew upon my jaw?

They've passed away those happy day

And now I only crave

A brief, brief life—an early death,

A requiem, and a grave.

And billiards now I never play;

Not long my father will

Be troubled by me to defray

That tailor's lengthened bill.

I never wink at bar-maids now,

But soberly I tread

As walketh one whose home's among

The cold and silent dead.

One debt lies heavy on my breast

I'd like to pay but can't;

I'd like, before I go to rest,

To settle Polly's aunt.

I hope they'll take her where the time

Counts not by days and weeks—

The place of which 'tis wrong to rhyme,

And no one ever speaks!

'Tis where the letters that she loves—

The consonants and vow'ls—

Are melted down in patent stoves,

And moulded into howls!

Original

Original

A PEELER'S APPEAL

Against the Helmet of Modern Times.

I was a peeler of a kind

That's seldom met with now;

I used to part my hair behind,

It clustered o'er my brow

In glossy ringlets, crisp and dark;

I had a massive chest,

And oft I lit love's fatal spark

Within the female breast.

The buttons on my coat of blue

Shone with effulgent light,

And cooks with eyes of dazzling hue

Fell prostrate at the sight.

Original

At almost every kitchen door

They met me with a smile;

But then in modest pride I wore

The regulation tile.

No more they come with outstretched arms

My person to enwrap;

No more they hold the mutton cold

As sacred to the trap.

They never asks me into sup;

No smoking joints they bile;

They hates this cursed new-come-up—

This 'elmet mean and vile.

Original

The boys what vends the "Evenin' News,'"

When I comes stalkin' by,

Awakes each alley, lane and mews,

With, "Crikey! 'ere's a guy!"

The cabbies stare so hard at me,

No wonder I gets huffed;

They grins, and axes who I be,

And if I'm "real or stuffed"

Original

And when I walks about my beat

The hosses dreads the sight;

They stands up endways in the street

A snortin' with affright.

The 'bus-conductors winks and leers,

And holds their sides and splits;

And kids of very tender years

I frightens into fits.

I once was right at forty-four

For supper, lunch, and tea;

Upon this bosom Susan swore

She'd never love but me.

Alas! for that inconstant cook

The 'elmet 'ad no charms;

A most sanguineous butcher took

My Susan to his arms.

My Susan's cheeks were fair and sleek—

So were the chops she cooked;

But on her chops, and on her cheek,

My last I fear I've looked.

Original

That butcher said as how 'twas meat

That me and she should part,

And never more for me will beat

That culinary 'eart.

Now listen you who've got to fix

What bobbies is to wear,

And if your 'earts aim 'ard as bricks,

Oh! 'ear a peelers prayer.

Original

Oh! take the elmet from my brow—

The curse from off my 'ed;

You aint no sort o' notion ow

I wishes I wos dead.

There's nothing calculated more

A cove's good looks to spile;

Oh! if you've 'carts, restore, restore,

The regulation tile!

You can't give back that cook's fond 'eart—

Her chops, her cheek, her smile;

But if you'd make amends in part,

Restore, restore my tile!

Original

THE following verses will probably be more intelligible to the bush reader than the metropolitan one. The latter is at liberty to "pass":—

Original

THE OLD HAND.

I'm forty years in New South Wales,

And knows a thing or two;

Can build a hut, and train a slut,

And chaff a "Jackeroo." *

               * See reference b.

I chiefly sticks to splittin' rails—

It's contract work, d'ye see;

I hates to ave a station-boss

A-overlookin' me.

I left my country for its good,

But not my own, I fear;

I makes big cheques a splittin' wood,

And knocks 'em down in beer.

I knows the Murrumbidgee's bends,

Though not a "whaler" * now,

And many a score of sheep I've shore

For good old Jacky Dow.

I used to knock about on farms,

And plough a "land" or two;

But now for me that has no charms—

I hates a "Cockatoo." **

     * Murrumbidgee whalers are a class of loafers who work for
     about six months in the year—i.e. during shearing and
     harvest, and camp the rest of the time in bends of rivers,
     and live by fishing and begging.

     ** A small farmer.

I'm splittin' for a squatter now

Down here upon the creek;

He often says as how I've got

A sight too much o' cheek.

They've got a new-chum over there—

I hates new-chums, I do;

I often tries to take a rise

Out of that Jackeroo.

One day when we was in the yard

A draftin' out some ewes,

We axed him for to lend a hand,

He couldn't well refuse.

I watched 'un for a minute just

To see what he would do;

Bless'd if he warn't a chuckin' out

A lot o' wethers too!

He keeps the store and sarves the "dust"—*

I only wish he'd slope;

I knows he often books to me

Too many bars o' soap.

In them it ain't no sort o' use

Instruction to infuse;

There ain t a gleam o' intellect

In new-chum Jackeroos.

As soon as July fogs is gone

I chucks my axe up there,

And gets a stock of Ward and Payne's*

At six and six a pair.

I've been a shearin' off an' on

For such a precious while,

I knows most every shearin' shed,

And each partickler style.

I'm able for to shear 'em clean,

And level as a die;

But I prefers to 'tommy-hawk,"

And make the "daggers" fly.

They mostly says that to the skin

They means to have 'em shore;

I alius knocks off skin an' all

When they begins to jawr.

               * Ward and Payne's sheep-shears.

My tally's eighty-five a day—

A hundred I could go,

If coves would let me "open out"

And take a bigger "blow."

I allus roughs 'em when the boss

Ain't on the shearin' floor;

It wouldn't pay to shear 'em clean

For three and six a score.

But when I see the super come

Paradin' down the "board,"

I looks as meek as any lamb

That ever yet was shored.

For, though by knockin' sheep about

You're causin' him a loss,

It's 'ard to have a squatter come

And mark 'em with a cross. *

They say us shearers sulks and growls—

I'm swearing half the day,

Because them blasted "pickers-up"

Won't take the wool away.

     * Sheep badly shorn are marked with a cross in red chalk,
     and are not paid for

At sundown to the hut we goes;

The young 'uns lark and fun;

The cook and I exchanges blows

If supper isn't done.

And when the tea and mutton's gone,

And each has had enough,

We shoves the plates and pints away,

And has a game o' "bluff." *

I works a little "on the cross,"

I never trusts to luck;

I hates to have to "ante-up,"

And likes to "pass the buck."

I've got a way of dealin' cards

As ain't exactly square;

I does some things with jacks and kings

As makes the young 'uns stare.

I've mostly got four aces though,

Or else a "routine flush

I wins their cash and 'bacca, and

They pays for all my lush.

                * "Poker."

I likes to get 'em in my debt

For what their cheque '11 clear;

I've got a sort o' interest then

In every sheep they shear.

I'm cunnin', and my little games

They never does detect;

But I never was partickler green

As I can recollect.

PREFACE TO THE PIC-NIC PAPERS,

IF I were asked to state the most noticeable feature of the social economy of Sydney—the thing which pre-eminently distinguishes her from other metropolises—I should, unhesitatingly, say pic-nics. I once held the proud position of occasional reporter to a weekly paper, and my mental calibre not being considered heavy enough, or my temperament sufficiently stolid to do justice to parliamentary debates, I was sent to report the pic-nics. In Sydney every trade gives one, and every private family about six in the course of the summer. Carpenters, butchers, barbers, blacksmiths, undertakers, even grave-diggers, all give their pic-nic during the season; and why should they not? Is it for me to ridicule the practice? Shall I, who have been received as an honoured guest at all (and retired to make three half-pence a line out of an account of the proceedings), splinter my puny lance of satire against a firmly-rooted and meritorious custom? I who have hobnobbed with the publicans, waltzed with the wheelwrights, done the lard i da with the pork-butchers' wives and daughters, danced coatillions with the tailors, and indulged in sootable amusements with the sweeps? Never!

I have retired from the pic-nic business now, and though my reports were not masterpieces of descriptive writing, and never wrung even the smallest tribute of gratitude from those they were intended to immortalize, I give a specimen or two to serve as models to those who hereafter may be called upon to report pic-nics for journals, religious or otherwise.

THE BUTCHER'S PIC-NIC.

THIS event came off with an unusual amount of eclat; merchants, members of parliament, and people of all kinds, were present; and if they were not all butchers, they all became squatters when the grassy plateaux of Correy's Gardens were reached. The pic-nic took place appropriately under a ewe-tree, and fortunately the wether was remarkably fine. Saws (wise ones excepted), axes, steels, and all other implements used in the trade, were, by common consent, left behind, and the only killing done was that accomplished by several fascinating young slaughter-men, whose hair and accents were oily not to say greasy in the extreme. One of these, who went in heavily for euphuism, told his inamorata that her heart was harder than his father's block, and the satire of her tongue keener than the edge of a certain cleaver in his parent's possession.

Sir Loin Oxborough, Fifth Baron (of beef), estates strictly entailed, was unanimously voted to a deserted "bull-dog's" nest, which did duty for a chair. He occupied this position with dignity, and made a speech, interlarding his discourse with several choice cuts from Steel and other poets; e.g.,

"Reveal, reveal the light of truth to me!"

"Steak not thine all upon the die!" &c.

He said they were met to enjoy themselves, and by their joint exertions to banish dull care; adversity might come, but what of that? He had always found that a round of afflictions, or a dark cloud had a silver lining, or rather a "silver-side," like a round of beef. He had often been in trouble himself—cut down, as it were, by the cleaver of adversity; reduced, he might say, to mince-meat by the sausage-machine of ill-luck; and he and his family had been once or twice regularly salted down in the harness-cask of fate; but, thanks to his natural buoyancy, or (butcher)-boy-ancy of spirits, he had risen like a bladder to the surface of the sea of despondency, and lived to pluck the skewers of affliction from his heart.

He advocated morality and sobriety. He might say he had lived a moral and sober life, for though he had been a free and generous liver, he had always done his duty to his fellow-men according to his lights. His motto was "live and let live," except where dumb animals were concerned—those he killed on principle, as a matter of business; and he respected all religious sects, except vegetarians. He had been cut up by sorrow, and cast down by depression of trade as often as most men. He had seen beef at tuppence a pound, hides at 2s. 6d. each, and tallow at nothing at all (warm weather, and no colds in the head prevalent), but he had never lost heart; from a boy, hopefulness had always been a meat-tray (he begged pardon, he meant a sweet trait) in his character; he had persevered, worked hard, and had eventually carved his way to wealth, fame, and fortune, through bone, gristle, flesh, skin, sinew and all. He was prosperous, but he owed his rise more to shoulders of mutton than the shoulders of his friends. He had been self-reliant, just, and generous; and though he had flayed many a beast, he had never yet attempted to skin a flint. (Cheers.) He was not democratic, and he believed more in the horny-headed monsters than the horny-handed masses; still he liked to see a man rise by his own exertions; and, inasmuch as a king—Charles the First to wit—had shewn how easy was the transition from the throne to the block, he did not see why an ascent from the block to the throne might not be equally possible.

In conclusion, he recommended his friends to take the fat with the lean through life, and not to grumble because some one else appeared to have all the prime-cuts of fortune, and all the rich fat of prosperity, and they only the fag-end and the bone. He sat down (on the deserted ant's nest) amid loud and reiterated applause.

Festivities then commenced The guests sat on their haunches and drank the blood of the grape out of hogs' heads.

The toasts drunk were the "Gallus"—not the gallows; the block and cleaver, &c. The juniors played "rounders," and (raw) "hide and seek." Dancing was kept up with animation until a late hour. Old Tommy Hawk danced a porka, and his peculiar shambling gait called forth rounds of applause. Several games of chance were played for beef stakes.

A butcher who dealt largely in goat's flesh sang the touching Scotch ballad, "Oh, Nanny, wilt thou gang wi me," and old Pork Chops sang "Those evening chines" in a most affecting manner. The festivities continued until they could not very well continue any longer, and every body returned home perfectly satisfied.

THE OYSTERMEN'S AND FISHMONGERS' PIC-NIC.

MON DAY was a great day. Though the bosom of the ocean was apparently unruffled by a zephyr, terror and excitement raged beneath its surface. Influential members of the finny tribe darted hither and thither in a manner which indicated that something unusual was afloat, and the piscatorial republic was shaken to its very centre. The military (that is, the sword-fish) were under arms, or rather fins, at an early hour, and formed a roe in martial array. The less warlike betrayed their agitation in a variety of ways. Sawfish from the Gulf of Carpentaria left their usual occupation of cutting the water, rose to the surface, and sawed the air in an agony of in tench excitement; mercantile fish abandoned their scales and took their weigh to places of security; limpets, becoming enervated, relaxed their hold upon the rock; oysters tossed restlessly on their beds, and even the jelly-fish trembled. Nor was this surprising; for were not the fishmongers and oystermen about to hold carnival—to celebrate the rites and ceremonies of their order? and, knowing this, could any member of the finny tribe remain unmoved, or even a molusc be calm?

In spite, perhaps unconscious, of all this, the jubilant fishmongers proceeded to the enjoyment of their pic-nic with light hearts. The oystermen, most of whom were natives, were appropriately clothed in shell-jackets, and wore barnacles. Miss Annet Snapperton, resplendent in a sea-green fishu, with cochineel trimmings, and a sea-anemone in her hair, proved an irresistible bait to young Codlington, a susceptible periwinkler and oysterman. He swore by the beard of the sacred oyster that she was an angel—called her his turtle and his pet (limpet, in fact)—and, while he besought her to fly with him and share a "grotter of hyster shells," he stated his intention of adhering to her heart like a limpet to its native rock, or the teeth of a skate to the finger of a too-confiding fisherman. At the conclusion of the banquet a speech was called for, and old Grampus rose. He said:—"Fishmongers and Fellow-oystermen (hear, hear), to meat you here on this ausfishous occasion" [he lisped a bit after eating salmon] "eels the wounded spirit and warms the cockles of this heart. Star-fish and stingarees! May I be scolloped if this aint the proudest moment of my life!" (Cheers.) He proceeded to state his views on things in general—regretted that a more able speaker had not been chosen to offishiate—hoped they wouldn't expect along speech from him, as he wasn't a parson—in fact he understood more about the curing of herrings, than the cure of soles—and the only school he ever attended was a "school" of mackerel which appeared off the coast one Sunday morning when he was a boy at home. His father had on that occasion taken him by the hand, and together they attended that Sunday-school. Subsequent proceedings made such an impression on his mind that he henceforth resolved to become a fish-dealer, and became one accordingly. He had read his Bible, and had heard about the "miraculous draught of fishes"—thought it must have been a brandy-p(r)awnee—always thought fish were something to eat before, though lie had known fishermen drink their whole week's catch on Saturday night—was a sober man himself, and didn't go in for mackarelous "draughts" of that kind. If not a religious man, he always strove to do his duty! Though he had been a fisherman in his time, he had never been a plaice hunter, and, Ecod! he thought few M.P's. could say that. What were his religious principles? Well, he wasn't a mussle-man, and though he dealt, in shell-fish, he abhorred shellfishness. He had heard about some all-fired heathens who worshipped Zorooyster (? Zoroaster); he couldn't say as he was acquainted with that mollusc, and wouldn't worship him if he were. Oysters was good things if you didn't put brandy a top of 'em, and he believed in cockles (the molluscs, not the pills), but worship a hoyster! Thank'eaven, he wasn't so far gone as that! Such ideas was incongerous.

He sat down amid applause, and musical and terpsichorean festivities commenced. Somebody danced the fishmongers' hornpipe. "Sets" were formed, and the (s)caly-donians gone through with great spirit. A gloomy-looking fish-dealer, with a bass voice, sang "My sole is dark and a blighted-looking young oyster-opener gave them, "Shells of the Ocean," and "Oh, shell we never part," alluding to the monotony of his occupation. Young Codlington sang "(T)winkle, (t)winkle, little Star-fish" with great taste and feeling. Fun and frolic became general, and it was late ere the (r)oysterers returned home, thoroughly wearied, but happy.

THE WHEELWRIGHTS' PIC-NIC.

THE man who cannot sympathize with a wheelwright in his joys and sorrows ought to be treated to a taste of lynch (or lynch-pin) law. No one with a properly regulated mind can fail to admire their round-about way of doing things, and their untiring energy; and no rightly thinking person could be otherwise than rejoiced on hearing the other day that these jolly good felleys had made up their minds to have a trundle down the harbour, and an afternoon's enjoyment Of course the party started from the Circular Quay, and took with them a plentiful supply of weal and ham pies and roly-poly puddings. They reached their destination in safety, and after a short walk along the beach, the order was given to "right-wheel," and they found themselves in a delightful glade, where the blue gum waved its giant branches in the summer air, and the luxuriant axel-tree cast a grateful shade over the holiday-keepers.

The ladies—with complexions of a smoothness only to be attained by sand-paper in experienced hands—looked as fresh as paint, and shone like varnish. They were at tired, in elegant and becoming costumes. Spokes was nearly missing the affair altogether, as he woke late, and then had to dress, wash, and (spoke)-shave himself in a hurry. Old Wheels—and a wideawake old fly-wheel he was—drove down in his buggy with Mrs. Wheels and the four Miss Wheels, and, what with the front and hind wheels of the trap, the wheals inflicted by the avenging hand of Old Wheels on the horse's behind, and the young Wheels—segments of the parent Wheels—clinging on wherever they could get hand or foot-hold, it was estimated that there couldn't have been less than sixty or seventy wheels to the turn-out. Talking of traps, the four Miss Wheels constituted a four-wheeled trap for the hearts of men of a most dangerous description; and, after they had all partaken plentifully of the weal pies, there was weal within Wheels, and a complicated state of things which set mathematical and digestive theories at defiance.

Old Wheels delivered an address, in which he stated that a bond of unity was the best tire for the public weal, and that if the felleys in the House wern't such a lot of (k)naves, they'd run truer, stick closer together, and endeavour to axelerate public business more than they did. He was proceeding to demonstrate that ——— was no more use in the House than the "fifth wheel of a coach," when one of the younger Wheels began to squeak in an agonizing manner. It was immediately greased with some strawberrys and cream, and its (s)creams subsided into chuckles of gratification. Dancing, of the "turnabout, and wheel-about, and jump Jim Crow" order, then commenced, and kiss-in-the-ring, rounders, and other circular amusements, became general. A musical young wheelwright, on being called on for a song, suspended his occupation of picking his teeth with a lynch-pin, and gave them "Weel may the keel row," and Axelcior." Spokes proved himself a capital speaker, and made the speech of the day, full of beautifully rounded sentences and quotations from Spokeshave. But all things must have an end unfortunately, and when at length the whistle of the steam-boat sounded for departure, the wheelwrights took their way homeward, happy, but thoroughly tired.

THE UNDERTAKER'S PIC-NIC.

WE have a special regard for undertakers. Watching funerals was the first species of dissipation we indulged in in early youth. We have witnessed Shakesperian tragedies since with less satisfaction, and have respected undertakers proportionately in consequence. But for them we should never have known how much of the latent spirit of tragedy there is in horses' tails and feathers, and we especially admire the dramatic style in which they proclaim to the world the fact that another saint has gone to occupy his reserved seat in the celestial dress circle, or another sinner sneaked into his place in that "pit" which is notoriously bottomless, and where the free-list is by no means "confined to gentlemen of the Press."

Holding these views, we were naturally pleased to hear that our friends meditated a pic-nic, and we are still more gratified to be able to lay before the public the only reliable report of the proceedings in existence. The day was everything that could be desired. Huge masses of black cloud lay piled away to the south'ard, imparting a sombre and funereal aspect to everything, and the spirits of the excursionists rose in proportion. The picturesque cemetery of Haslem's Creek was the spot chosen for the celebration of the festivities, and the cheerful recesses of its cypress-shaded labyrinths that day re-echoed outbursts of merriment which must have been particularly trying to misanthropic ghosts. Every available hearse and mourning-coach was pressed into the service to convey the holiday-keepers to the mortuary railway station, from which a special train was to start at nine sharp, and the party in full gala costume—hat-bands, gloves, plumes and feathers—presented quite a lively appearance as the cortège moved down Brickfield Hill, the band playing "The dead march in Saul."

Arrived at the scene of the intended festivities, a luxurious al fresco banquet was set forth, the numerous marble slabs in the vicinity making the most delightful substitutes for tables imaginable, and the epitaphs and inscriptions forming an agreeable mental repast after the grosser bodily appetites had been subdued.

Messrs. Compagnoni, on this occasion, surpassed themselves, and the black-puddings, and other funereal delicacies—served on (brass)-plates—were decorated with "In memory of," "Requiescat in pace," and other appropriate mottoes calculated to raise the spirits of the party, and promote hilarity in the highest degree. Old Elmplank said he hadn't had such a lively time, or felt in such good spirits, since the measles were around that time three years. Meanwhile the young folks were: enjoying themselves, and fun and flirtation wore carried on in a decorous manner, out of respect to the emblems of mortality by which they were surrounded.

An amiable young coffin-maker, with the most fascinating hearse-suit appendages, made great inroads on the heart of Miss Grace Bugles. He requested her to enter his heart, which he compared to an unoccupied tomb, and reside there rent free. Should love like his, he asked, be "coffined, cribbed, confined" within the narrow limits of a flannel waistcoat? No; he invited her to come to his arms, shroud herself in his bosom, and stop the process of cremation which was going on in his heart.

Songs and recitations were in the programme. Miss Bugles sang "Those funeral bells," and "The old elm tree," and her admirer gave them a Bacchanalian, or rather a coffin-nailian ditty, with a chorus of "Bier, bier, beautiful bier," and a skull and thigh-bones accompaniment, which provoked thunders of applause; and when old Tassels, of the mourning livery-stables sang,

"But one golden tress of her hair I'll twine

In my hearse's sable plume,"

there was scarcely a dry eye in the assembly.

There were no healths drunk, such a custom being considered out of character with the proceedings, and not conducive to the prosperity of business generally. Undertakers who were sociably disposed took each other's measures, composed epitaphs, and talked about cremation. Old Elmplank, in his speech, said that any allusion to such a mode of disposing of the dead wounded him to the quick. "Introduce that process," he said, "and the whole romance of a funeral was done away with. The invention," he added, "was worthy of a cove as was mean enough to drink another cove's ealth." But even undertakers cannot keep up at the high-pressure pitch of hilarity for ever, and as evening drew on, the rain having been falling heavily for several hours, the cemetery was by common consent voted damp, and a general move was made for the railway station. The party returned to Sydney, well satisfied with their outing, and the number of colds caught must have made business lively for the next six months.

THE HAIRDRESSERS' PIC-NIC.

EVEN barbers require change of (h)air occasionally; consequently there were no dissentient voices when Potts proposed an excursion, and suggested the Gap, where the "yesty waves" seem never to tire of their monotonous occupation of shampooing the South Head. The pic-nic took place eventually among the romantic glades in the immediate vicinity of Pearl (-powder) Bay, where the "maidenhair" (capillis veneris) grew luxuriantly—having been neither cut by the north-east wind, nor brushed by machinery—while the rabbit and false-hare frisked fearlessly among solitudes seldom disturbed by the presence of man, and that beautiful bird the antimacassowary flew with well-oiled pinions from branch to branch of the Eucalipsalve.

It might be imagined by ignorant people that hairdressers, who pay so much attention to the adornment of the outward man, would be apt to forget the requirements of the inner entirely; this, however, was not the case, jugged hairs and barbercues being among the least of the delicacies provided.

Of course there were speeches. That old demagogue—Bearsgrease, shampooed, no, pooh! poohed everything, everybody else. Being a wig-maker, it was natural that in politics he should be a Whig; and though, as he said, he had never appeared as a candidate for Parliamentary honors, or been at the head of an electioneering poll, he knew as much about heads and polls as some who had.

But why enlarge on all this? Can we not imagine how young Potts led Miss Glycerina Crimpington for a stroll by the sounding sea, and directed her attention to the magnificent crests of the billows, fresh from the curling-tongs of Nature, tumbling over one another, and doubling themselves into such exquisite "frizettes" and "waterfalls" that they were enough to excite envy in the breast of any young lady, especially if she happened to be a hair-dresser's daughter.

Can we not picture to ourselves the thousand and one incidents which go to make up what is called a pic-nic? How some were stricken hungry, and others sentimental; how some satisfied their cravings with kisses, others with pie; how Potts charmed the ear of his adored Crimpington with recitations from "Locksley Hall," and the "Hair of Redcliffe;" how the young folks danced the Kalydorians (arranged by Rowlands); and last, not least, how the old folks got maudlin on limejuice and glycerine, and talked of the days when their feet were as light, and their chevleures as heavy as those of any young scalp-lock trimmer present We can, I think, imagine all this so it will not be necessary to say more than that the whole thing was a thorough success, especially Potts's song of "(H)airy spirts round us hover," with a comb accompaniment, after which a general stampede was made for the boats.

THE GREAT CRICKET MATCH.

BREWERS v. PUBLICANS.

The day was wet, down poured the rain

In torrents from the sky;

Great coats, umbrellas, were in vain,

But every lip was dry.

The clouds seemed disinclined to part,

The wind was from the West,

Yet worked each brewer's manly heart

Like (y) east within his breast.

Along the road each brewer spent

His coin in frequent drains,

F or mere external moisture went

Against those brewers' grains.

And with a bright triumphant flush,

Their Captain, Mr. Staves,

Swore they should crush those sons of lush

Who dealt in "tidal-waves"

          * Tidal-wave—a large glass of colonial beer.

For, speaking of the L. V. A.,*

The brewers said, and laughed,

"A most efficient team were they

For purposes of draught."

'Twas thus they talked upon the way

Until they reached the ground;

But in their friends the L. V. A.,

Rum customers they found.

I havn't space to speak of all

The glories of the match—

Of every well-delivered ball,

And every well-caught catch.

I fain would tell of Mr. Keggs

(They spiled and bunged his eye)

Of Barley-corn, and how his legs

Got twisted all a rye;

How Stoups, the umpire, stood too near,

And came to grief and harm;

How, when he fell they gave him beer,

Which acted like a barm;

         * Licensed Victuallers' Association.

Of Hope, who keeps the Anchor bar

And vendeth flowing bowls

(My feet have often been that far

And anchored fast their soles)

Mark how he bustles, snorts, and spits—

His brow he mops and wipes,

And though I couldn't praise his hits,

I'll gladly praise his "swipes;"

Of Corks, who funked the second ball,

And by a sudden turn

Received the straightest one of all

Upon his ample stern.

He raised a loud and fearful roar—

With fury he was blind,

And, though they called it "leg-before"

He felt it most behind!

Of Marks, the scorer—best of men!

Sure everybody talks;

He chalked the runs correctly when

He couldn't walk his chalks.

Despite the flasks of monstrous size

He'd emptied to the dregs,

He scored "wides," "overthrows," "leg-byes,"

And runs attained by legs.

For all the ceaseless rain which flows,

The rival teams care naught;

Though runs were made by many a nose,

And many a cold was caught.

Inside and out they all got wet—

Each drank what he could hold;

I'm sure a bowl was overset

For every over bowled.

The daylight fails; at length 'tis gone:

There's little left to tell;

For as the shades of eve drew on

The stumps were drawn as well.

Then to the tent each man resorts:

On food intent were they.

Who won the sports? the pints and quarts—

The gallant L. V. A.

Beneath the canvas let us pass—

Old Bottle-brush was there,

And well he filled his empty glass,

And well he filled the "chair."

At length the Maltsters cleared the tent,

And several hops ensued;

But stay! Both time and space are spent—

In truth, I must conclude.

A vict'ler rose amid the host—

A burly man was he—

"My lads," he said, "I'll give a toast,

And here's my toast d'ye see:

"John Barley-corn, the king of seeds!"

And round the glasses go,

"For that's a corn that ne'er impedes

The light fantastic toe!"

IF any reader has conscientiously borne with me even unto the end, he may be ready to exclaim—"But where are the 'Southerly Busters?' No allusion to them except in the title and frontispiece. It's been a dead calm all the way."

Gentlest of a proverbially gentle class, what you say is perfectly true; but I have excellent precedent for this inconsistency. No one, not even an evangelical parson, sticks to his text now-a-days; and the gentleman who objected to being told "in mournful numbers" that "things are not what they seem," was a self-deceiving visionary who wanted to close his eyes to what everyone else knows to be an established fact. An M.P.'s speech on free trade seldom alludes to the subject; the daring feats and marvellous situations depicted outside a circus are never seen inside; light literature, advertised as such, is proverbially heavy; ————'s "Vermin Destroyer" has rather a nutritious and invigorating effect on vermin than otherwise, according to my experience; Young's "Night Thoughts" were written in broad day-light; and few can have failed to remark the absence of pork and the presence of cat in a restaurant pork-sausage.

The author of the most confused piece of literary mechanism that ever was printed, calls it "Bradshaw's Guide."

Original

Did it ever guide anyone anywhere except to outer darkness? Did it ever awaken any other feeling in the bosom of a deluded traveller than a thirst for revenge? Bradshaw merely followed the universal rule of contraries when he christened his mystifying treatise a "guide," for none knew better than he that "throwing a light on a subject" means involving it in gloom and obscurity, as surely as that "just one glass more, and then straight home," means twenty, and the most circuitous route the neighbourhood will admit of. I trust I have said enough to vindicate the somewhat obscure and deceptive title of this book; or, at any rate, to avert the worst catastrophe an author can dread—that of being blown to atoms by a Southerly Buster of Public Opinion.

*** END OF THE PROJECT GUTENBERG EBOOK SOUTHERLY BUSTERS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back